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ArtAsiaPacific Magazine - Jan - Feb 2014

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ArtAsiaPacific

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In this issue

In each edition of the Almanac, now in its ninth year, we provide annual reports about the 67 countries in the region—including Bhutan, Myanmar, North Korea, Papua New Guinea, Qatar and Uzbekistan, among others—and track a year’s worth of controversy, scandal, career moves, awards and other major headline news.
We also invite influential art-world figures to reflect on the major cultural events of the past year and the year to come. Aida Mahmudova, artist and founder of Yarat Contemporary Art Space in Baku, Azerbaijan, and Mella Jaarsma, artist and co-founder of Cemeti Art House in Yogyakarta, Indonesia, are each very proud to find their respective country’s art communities launching vital new initiatives. From geographically distant perspectives, the Sharjah Art Foundation’s president Sheikha Hoor al-Qasimi and Samoan interdisciplinary artist Shigeyuki Kihara reveal details of their busy schedules, recalling many of the year’s best moments on their global tours of their own art worlds. Chinese-Indonesian collector Budi Tek, who will be unveiling the second branch of his Yuz Museum in 2014, discusses the need for a higher standard of professionalism in China in an age of museum building. And from Kolkata, Prateek Raja of Experimenter gallery points out the continuing dynamism of India’s art scene in spite of, or perhaps because of, a market slowdown.
The Five Plus One section, in which our editors select five artists who have made a significant impact in 2013 and one who promises to do so in 2014, features profiles of artists as varied in outlook as Richard Bell, Shilpa Gupta, Lee Mingwei, Shinro Ohtake, Sopheap Pich and Simon Fujiwara. The editors also pick the ten best gallery and museum shows of the year, the exhibitions on our radar in 2014, and twelve of our favorite books.

ArtAsiaPacific Magazine Description:

For more than 30 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.

The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.

ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.

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