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ArtAsiaPacific Magazine - November - December 2018

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In this issue

The Nov/Dec issue of ArtAsiaPacific focuses on artists who highlight the challenges women face. For our cover Feature, Beijing desk editor Tom Mouna met with Ma Qiusha, whose diverse practice revolves around personal and collective memories of growing up in China in the 1980s and ’90s. In our second Feature, contributing editor Jyoti Dhar looks at the career of Anita Dube, from her involvement in the 1980s art group known as the Radicals to her critical writing. Then and Now captures the social, political and cultural mood over the past two and half decades through the materials in our archive. In Young and Emerging, we spotlight five up-and-coming artists whose practices utilize new kinds of digital media: Hayoun Kwon, Miao Ying, Jess Johnson, Refik Anadol and Foundland Collective. For Inside Burger Collection, Katharina Amman and Christina Végh met with Teresa Hubbard and Alexander Birchler to discuss their project on artist Flora Mayo, feminism and power relations. In Essays, critic Reena Devi considers whether Singapore’s frenzied push for art fairs will benefit the country’s arts ecology. Curator Danielle Shang scrutinizes China’s new generation of collector-owned museums. Joyce Wong, the winner of AAP’s inaugural Young Writers Contest, examines cross-cultural themes in the work of Shezad Dawood. In Profiles, reviews editor Ophelia Lai discusses the work of Cambodian multidisciplinary artist Khvay Samnang. Australia desk editor Tim Walsh sits down with Brisbane-based Dale Harding, and Ink Society director Olivia Wang talks with collector-couple Jerry Yang and Akiko Yamazaki. For Where I Work, associate editor Chloe Chu visits the Hong Kong studio of Izumi Kato. Do Truong Linh files a Dispatch from Hanoi. In One on One, Dane Mitchell, explains his admiration for the late On Kawara. In The Point, Quandamooka artist Megan Cope elaborates on the importance of contributing to the collective discourse of Indigenous Australian artists active in the 1980s and ’90s.

ArtAsiaPacific Magazine Description:

For more than 30 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.

The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.

ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.

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