The design of educational institutions is rarely spotlighted, which is why we felt compelled to do so this issue. A study showed that well-designed classrooms can improve pupil performance by 16 percent. The onus is therefore on architects to advise educators to get the basic physical factors of these spaces right, and provide a conducive environment for learning and development. 

Elsewhere in Issue 104, we summarise our visit to the Salone del Mobile 2018 in Milan, Italy through an in-depth fair report. Back in Asia, we feature a project in Beijing, China, Courtyard Hybrid, which examines how the city’s famous hutongs can be re-adapted for modern-day use. The same is done for one of Hanoi’s legendary tube houses that has been converted into a flagship store. Also in the spotlight are two abodes – the Window House in Malaysia, and Villa Otto in Singapore – of contrasting styles that provoke and inspire at the same time.

We bid adieu to the beloved Taman Bebek in Bali as we say hello to the SJ Campus, Safdie Architects’ latest project in Singapore. Check out our new Sourcing Section that aims to connect suppliers with specifiers.

In this issue of d+a, we feature architectural projects that not only redefine our built environment but also reaffirm our intrinsic connection to nature. Kuala Lumpur’s Sentul Pavilion is a glass and steel structure nestled within a lush private park. This multifunctional space fuses with its natural surroundings while offering a tranquil oasis for both intimate gatherings and public events. This ethos is also seen in the new House Maya in Andermatt, Switzerland whose living spaces embrace the surrounding natural beauty of the mountainous region. Over in tropical Sanya, the architects of Sanya Wellness Retreat draw inspiration from the coastal landscape. Another country that exemplifies its dedication to responsible design and sustainability is Japan. Thoughtfully designed by Kengo Kuma & Associates (KKAA), the Itomachi Hotel 0 is Japan’s first zero-energy hotel. Created as a community hub, the hotel’s inviting courtyards beckon guests to enjoy the outdoors. We also feature the meticulously restored Rumah Kechik in Malacca which showcases well-preserved architectural features and traditional craftsmanship woven with a touch of modernity.

In this first edition of 2024, we embark on a design journey that embraces the lush world of tropical architecture for residences. This is where the lines between indoor and outdoor spaces blur, and nature becomes an integral part of our living environments. We feature several contemporary residential projects in Bangkok, Kuala Lumpur and Singapore whose designs integrate verdant green pockets and trees. Beyond residences, we also visit MPavilion 10 in Melbourne, a unique structure conceived by Tadao Ando, Pritzker Prize winner and one of the world’s leading architects. The architectural masterpiece reflects Ando’s signature use of striking geometric interventions in nature and his precise use of concrete. Over in northern Thailand, the newly revamped Intercontinental Chiang Mai The Mae Ping boasts contemporary interiors that celebrate craftsmanship as well as pay homage to the Lanna heritage.

In this issue, we cover residential, mixed-use and hospitality properties around Asia that are marked by unique designs. For instance, some are woven with their own nostalgia, and others bear the unique stamp of their owners/residents.

In Japan, Zentis Osaka, the Palace Hotel Group’s first offering under the Zentis category, weaves in Osaka’s history and heritage with a modern and vibrant vibe. Check out its contemporary interiors, which are reminiscent of a stylish residence. Another boutique hotel that’s also the first of its stable is Else Kuala Lumpur in Malaysia. This beautifully restored commercial property injects a new consciousness into KL’s Chinatown district.

 Some projects are designed with notes of nostalgia injected into the fabric of their design. Oslo-based design firm Snøhetta referenced developer Nan Fung Group’s textiles heritage and the Kai Tak site’s aviation past for the design and build of commercial complex Airside, a mixed-use commercial development in Hong Kong. In Singapore, the rejuvenated Delta Sport Centre at Alexandra Road, undertaken by Red Bean Architects, highlights the viability and value of adaptive reuse.

Private residential properties are also given innovative ideas that have the power to reframe residents’ experiences - from the ultra-luxurious Scope Langsuan in Bangkok to the deliberately left unfinished Project Conservatory in Kuala Lumpur. 

This issue of d+a features Petronas Leadership Centre’s new contemporary campus of pedigree and inspiration. Malaysia’s Veritas Architects’ design for this institution is one that is sensitive to the dynamics of the natural environment and emissions.

In Tokyo, the Toranomon district is now home to two new green skyscrapers. Germany’s ingenhoven associates and Japanese real estate developer Mori Building, envisioned a ‘vertical garden city’ that implemented the principles of green and inclusive and accessible architecture.
 
On the topic of sustainability, the world’s largest furniture fair, Salone del Mobile, saw the gathering of product designers and interior designers who shared their insights on how they are shaping the furniture industry to become greener. 
 
Also meet founder of PLP Architecture Lee Polisano who tells us how his firm focuses on a life-centric approach to urban planning with an intention to create livelier, safer, healthier, future-proofed and more sustainable cities. 

This issue, we feature the works of several award-winning architects and designers.

In this issue of d+a, look out for  unique projects around Asia Pacific including the Ulaman Eco Luxury Resort in Bali which showcases avant-garde design and construction utilising highly durable and sustainable materials. Over in Sydney, the Quay Quarter Tower (QQT), designed by Danish firm 3XN, is dubbed the world’s first “upcycled” high-rise. Launched in 2022, it is poised to transform the city’s skyline. Learn about the new Hong Kong Palace Museum (HKPM), home to ancient artefacts that have never been shown to the public before. And a revitalised heritage estate in Chiang Mai that gets new life as a teahouse. Other design highlights in this issue include furniture and lifestyle company Kernel which bridges Singaporean furniture making with Japanese craftsmanship as well as Cubo, a company that produces stylish, low-cost and environmentally-friendly modular houses in the Philippines.

This issue features unique projects around Asia including a triangular multigenerational family home in Ghaziabad, India that celebrates nature as well as Shinta Mani Mustang, Bill Bensley’s first resort in Nepal. The property, slated to open in 2023, is built with purpose and exemplifies Bentley’s sustainable ethos. Learn more about upcoming projects in Singapore including the tallest building – 8 Shenton Way – with cutting-edge technological and sustainability features.

Another featured project is Waldorf Astoria Maldives Ithaafushi’s exclusive restaurant Terra, whose futuristic dining pods are made of bamboo, and tucked high amid a lush bamboo forest. Design-wise, meet Teo Yang, South Korea’s accomplished designer who’s determined to translate Korean heritage into modern designs, woven with meaning and purpose. The issue also shines the spotlight on Southeast Asian design talents who find inspiration in transforming  waste or discarded materials into a collection of useful pieces ranging from lamps to coffee tables.

A wide array of architectural projects and design output demonstrates the depth and breadth that currently define both practices.

Gracing the cover is St James Power Station. Following a restoration and refurbishment by W Architects in close collaboration with Studio Lapis, the almost 100-year-old national monument has been adapted into an office fit for the 21st century.

In the same issue, check out the hotel Capri by Fraser in Kuala Lumpur’s Bukit Bintang. Despite having a relatively compact site, it has a distinctive silhouette of angled glass façades, fins and floors that makes it stand out from among the surrounding high-rises. Another featured project is the Viettel Headquarters in Hanoi (by Gensler) that impresses with its unique massing and energy-efficient green roof.

Not to be missed either is a piece where four emerging interior designers (Janka Podbielski, Matthew Kek, Lam Jun Nan and Jay Liu) share their thoughts on where the industry is headed. This is the last in a series of stories published in collaboration with the Interior Design Confederation of Singapore over the first half of this year. 

Is the interior design industry merely surviving? In a bid to answer this, we have collaborated with the Interior Design Confederation of Singapore in the first half of this year to examine how creatives can up their game – look out for the feature that offers some useful suggestions. 

In fact, in 2022, d+a will be more d than a i.e. have a stronger focus on design, while still retaining our exclusive niche as an architecture magazine. A story that details how a new playbook that guides organisations towards embracing a design thinking mindset is representative of this direction. 

On the architecture front, admire the Changshu Jinmao Sales Centre that made it onto our cover, designed by Aedas and outstanding for an entrance with its blue brick courtyard walls and cascading fibre-optic water curtain. In Malaysia, we spotlight the architecture of its universities, demonstrating how they are using design to attract students. 

Do also make time for the piece on how architecture can support sustainability-related financing solutions. Banks have finally awakened to the reality that they need to help fight climate change and there is a seat at this table for designers too. 

It has literally been an eventful few months since our last issue. From COP26 to Singapore Archifest, the opening of the Expo 2020 Dubai and Salone del Mobile, the calendar has been very full. 

The Singapore Pavilion, designed by WOHA, graces our cover in all its green glory, and the Malaysia Pavilion, designed by Hijjas Architects + Planners, is the only 
net zero carbon pavilion at the Expo. 

Our annual report on the Milan Furniture Fair identifies six trends that will influence architecture and interior design in the year ahead. 

Look out too for the spectacular Al Dana Amphitheatre by S/L Architects, which scores points for generously deploying recyclable materials throughout, such as used shipping containers and wooden pallets. 

The issue closes on a light but thoughtful note, spotlighting the air-purifying eco-machine Air Bubble by ecoLogicStudio, staged at COP26. 

From the team at d+a, we wish you a Merry Christmas and a happy, eventful 2022!

Every single project feature in this issue is beautiful. There is nothing trivial about this sentiment, not when we are surrounded by so much ugliness, literally and metaphorically. Design has many important functions but remember that among the key ones is aesthetics. It pleases the senses and contributes to well-being; it is inspirational. 

We wish we could open our window every morning and gaze at Star Art Gallery, the project featured on the cover. By Singapore-headquartered architecture firm MAPS, it takes its cues from the surrounding mountain ranges of Yunnan, China and constellations in the night sky.

We would love to work in an office that faces the 18 Robinson skyscraper by KPF. When taking a break, we can look up and admire its sculptural form, interrupted by a sky garden a quarter way up. 

When we can travel for leisure, we will book a trip to Thailand to visit the Hyatt Regency Koh Samui by The Office of Bangkok Architect. The zen-like white box that makes up the lobby, with its quadrangular skylights, sets the stage for what promises to be a restorative holiday. 

We hope that in the next three months, this issue serves as the light in the dark. The projects that were curated to fill the following pages is our way of saying that even as you have to consider the other myriad of elements that go into designing a space or building, beauty should never be neglected or compromised.

As we mark our 20th anniversary this year, we realised we have grown up with an entire generation of architects, serving as companions to them through their university days, those early years as young practitioners and later, ascension to senior positions or even the setup of their own firms.

Over the past two decades, we have featured their projects, supporting them in their contribution to Singapore’s built environment, while also subliminally giving definition to the country’s architecture. It is therefore apt that this become the focus of a feature, where we trace its evolution in the last 20 years.

Yet, even as we look back, we must look forward. We have singled out eight architects to keep our eyes on, making up the next generation who will shape Singapore’s buildscape. 

Elsewhere in Issue 120 (yes, we have also published 120 issues to date), read about the project featured on the cover, Dusit Thani Laguna Singapore, a hotel and clubhouse conceptualised by Mercurio Design Lab. This remarkable piece of architecture is distinctive for its swooping roof, which reflects the silhouette of the golf course it is sited by, giving it that all-important contextuality. 

Worth highlighting too is Gibert&Tan;’s ECT Headquarters in Klang, Malaysia. We have identified how it is the latest in a slew of award-winning industrial architecture projects in the country that eschew boring and boxy for creativity and consideration.

We like to think it is our ability to spot trends like this (among other reasons) that keep our readers loyal to us since their days as an architecture student. Thank you so much and we look forward to remaining lifelong friends.

After showering attention on Asia for the past three years, we will shift our gaze back to Singapore and Malaysia in 2021, where our print edition is circulated. Our real estate is more precious now that we are only publishing every quarter, which is why we want to support the designers and architects who have been our loyal readers.

It is therefore befitting that the project we have featured on the cover is the Asian Institute of Chartered Bankers (AICB) Building by one of Malaysia’s premier practices, GDP Architects. Contributor Nizar Musa writes that it is easy to miss but spot it and what is unmistakeable is its occupation of a “unique design middle ground, of having neither too much nor too little, of being stately without statement”.

The same can be said of Outram Community Hospital in Singapore, which was conceptualised by B+H Architects. A complex, multi-faceted project that also has facilities for rehabilitation, administrative offices and even a kindergarten, it still manages to have an architectural language that is compositional, sculptural and cheerful.

Along a quiet residential lane in the eastern part of the country is a three-storey house by Ming Architects that used a series of staggered voids along its central axis to optimise the use of natural light and space. You’d never guess all this was happening behind its unassuming façade.

Do make time to read the feature on placemaking. This is a topic we are spotlighting in the first half of this year and a list of stories will be published in our print issue and website to delve deeper into it. With borders still closed because of the COVID-19 pandemic, and fuelled by the human need for connection and sense of belonging, this has become a glue to forge closer ties with one another. 

Do you wish we could just cancel out 2020? We know many architects would, no thanks to the COVID-19 pandemic. Fortunately, there are also those who managed to make lemonade out of lemons. Since this is our last issue of the year, it is befitting we fill our pages with some optimism through a feature story where four architects reflect on the past 11 months, while sharing their aspirations for 2021. Another heartening piece of news that broke in October was how the Urban Redevelopment Authority (URA) has proposed for Golden Mile Complex (GMC) to be gazetted for conservation. Since June this year, we have been championing the issue of saving Singapore’s modern built heritage and this move by the URA is truly ground-breaking. A second feature story this issue has nine other projects designed in the same style, which we hope will be accorded the same status as GMC. On the cover is the stunning Otemon Gakuin University Academic-Ark by Mitsubishi Jisho Sekkei, located in Osaka, Japan. With the massing of an inverted triangular pyramid, the new campus was inspired by Japan’s shrines and temples and how they double up as lively gathering places for their local communities. Do also read about Aemulus at the Runway, an electronics facility by Kuala Lumpur-based Design Unit Architects, set beside the Penang International Airport. Its distinctive red brick-on-pilotis aesthetic jazzes up the neighbourhood and offers an ingenious spin on industrial architecture. 

Singapore is well into Phase 2 of the reopening of its economy, yet, many of us continue to work from home and, based on the manpower surveys, seem to be happy to keep this up. Consequently, our abodes have become the new centre of our lives, which is why this issue is themed upon residences. 

In curating eight of them from Singapore, Malaysia, China and Europe, we hope that some (or all) of their unique elements will inspire you when you design your next residential project. On the cover is the award-winning Casa A by Portuguese firm REM’A Arquitectos. It uses sustainable wood, arranged in a diagonal pattern, to sheath its upper volume, and has deep triangular voids that blur the boundaries between indoors and out. 

Don’t miss the report featuring products that would have been launched at Salone del Mobile, if it had been held this year. There are some beautiful, eco-friendly and technologically-advanced pieces worth including in your next project. 

Real estate has also been dedicated to Dr. Chang Jiat Hwee, an Associate Professor at the Department of Architecture in the National University of Singapore, whose areas of interest include modern architecture. He has contributed a piece on how such buildings are actually more ubiquitous than we realise in Singapore. 

Finally, an update on the magazine. We will be adjusting the frequency of our print edition and our next issue will publish in November (the last one for 2020). From 2021, we will become a quarterly instead of a bimonthly. Do continue to keep up with us via Facebook and Instagram; check in with our website for design and architecture news and projects from around Asia. We look forward to remaining connected with you in the digital space. 

Singapore has been in a partial lockdown since 7 April, because of COVID-19, which means Issue 116 was produced while everyone was working from home. We are happy to report that it was smooth process, and are grateful to the newsmakers, advertisers and freelance writers for cooperating with us to make this happen. 

Gracing the cover is Sinan Books Poetry Store, an unexpected find of an adaptive reuse project by Wutopia that saw the conversion of a Russian orthodox church in Shanghai, China into a home for literary tomes. Dominating its interior is a dramatic steel bookcase structure that follows the outline of the walls and ceiling in the main hall. 

Sinan Books is obliquely connected to the feature story on conserving Singapore’s modern built heritage as an example of how to creatively respond to and reinvent a building’s programme. The first piece in a year-long series spotlighting this important topic, it offers the architectural perspective and analyses what the fuss is all about. 

The second feature is centred on architects sharing their thoughts on how the built environment will evolve in a post-COVID-19 world. Six personalities with different areas of specialisations – from urban planning to landscape architecture – offer their views on how their work is going to be impacted by the threat of pandemics. 

On a more light-hearted note, check out the delightful spread by our creative director. It features versatile furniture pieces that were curated for their ability to smoothly transit between home, hotel, office, public space…or wherever you want them to be. 

Flip through Issue 115 and you might notice d+a is a little different this issue. For starters, we have given the design some A&A, in renovation speak. The result is more breathing space in the layouts, a fresh set of fonts and overall, a chicer appearance. 

Another change is the introduction of the new section, Life. It offers snapshots of how design is applied in other disciplines outside of the built environment. We kick things off with a spread on interesting dial designs on timepieces, and a feature on fitting out a private jet. 

Elsewhere in the magazine, look out for two stories written after a trip to Germany in January. One is the coverage of Heimtextil, a fair that increased our appreciation of textiles and the important role they play in softening the edges of a space. The other is of a visit to the unconventional Hansgrohe Aquademie, the headquarters of the bathroom and kitchen fitting manufacturer, nestled deep in the Black Forest in the town of Schiltach. 

Stellar is the project published on the cover, a study in balancing form and function. Located in Gujarat, India and designed by Sanjay Puri Architects, the mixed-use building stands out for a rust-red, sculptural volume, inspired by origami, perched on the open, north-oriented terrace. 

Another project worth highlighting is Sun City Kobe Tower, a 35-storey building dedicated to luxury senior living, designed by Richard Beard Architects and BAMO. Together, they have successfully created a resort-like experience with a plethora of beautiful communal spaces. 

The first full issue of the year and decade offers a line-up centred on technology, continuous learning and community – all of which are important to the future of design and architecture. The commitment to advancing knowledge is always a good resolution to have and we advocate this through a feature on different Master of Architecture programs you can take up. 

Successively, the focus shifts to virtual reality. Our bets are on this immersive tool revolutionising the architectural design process and we introduce a few companies that you should be acquainted with. 

Of the project features, the 10 we have curated this issue each represents one or more of the themes important to us at d+a. The cover is of A Simple Headquarters, the corporate office of car dealership Wearnes Automotive. Aesthetically striking, it is designed by Pencil Syndicate and embodies that ideal balance of form and function. 

There are two projects located in India; one, a Hindu temple, and the other, a house. Temple In Stone and Light is a contemporary interpretation of this traditional place of worship. Chhavi, the Desert House conforms to the ancient Indian architectural principles of Vastu Shastra.

Another abode published in this issue is House68 by Design Collective Architects. The residence is an adroit composition of materials and bespoke parts divided into three distinct pavilions, giving it a five-star resort aesthetic. 

We close the issue with a possible solution for mass, affordable housing. TECLA, as the project is named, has a structure made from reusable, recyclable materials taken from the local terrain and produced by a 3D printer. This is a topic that has dominated headlines around the world and it is heartening to learn how architects are harnessing technology to find an answer.

The latest issue of d+a is a reflection of how busy the last quarter of the year typically is. For example, it starts with a feature story based on an exclusive press trip to Europe, invited by Vitra and W. Atelier, to visit a textile mill in northern Italy that manufactures fabrics for Vitra’s furniture. We then crossed the Swiss Alps to the small German town of Weil Am Rhein to tour the impressive Vitra Campus.
There were events aplenty, which we were media partners of. These included the annual ArchiFest 2019, the PropertyGuru Asia Property Awards and the 8th mASEANa International Conference. Please don’t miss the important message the latter is trying to convey – we must remain united against allowing our national heritage to be erased. We interviewed Tim Kobe, the founder and CEO of Eight Inc., who is best known for conceptualising the original brick-and-mortar Apple Store. An experience designer, he is a strong proponent of designing with the end-user in mind, which is why his statement that an architect’s job “is fundamentally to serve people” really resonated with us. On the cover this issue is the Lost Villa Boutique Hotel. Marvel at how DAS Lab has camouflaged the project into the village of Dawan in Ningxia, China. You will realise the intention is both to harmonise with the surrounding landscape and local village architecture. Special mention must go to Masjid Daing Abdul Rahman, a contemporary-style mosque in Malaysia by Razin Architects that is a three-storey cube of glass, brick and steel. Its description of the project aptly sums it up, “We wanted to show a progressive image, not be
stuck with the conventional dome and minaret.”

“Most children enjoy running around in circles.” This is what Japanese architect Takaharu Tezuka shared, when interviewed about what motivated his design for Muku Nursery in Shizuoka, Japan. The outcome is what you see on the cover of this issue, a cluster of buildings each with a circular footprint. It reflects his practice of always asking how a project is going to enhance the lives of those who use it, before he starts designing it. 

Tezuka’s approach to architecture is reflective of a larger trend that is less of the “me”, and more of the “we”. It was most noticeable at the Kuala Lumpur Architecture Festival 2019’s conference, DATUM:KL, held in July. Across three days, speakers from all over the world repeated themes about the importance of complementing nature, the shying away from designing edifices, and a deep-seated respect for the community, locality and placemaking.

Elsewhere in this issue, we showcase two adaptive reuse projects. The Temasek Shophouse is made up of five three-storey conservation shophouses in Singapore that date back to 1928 and have been successfully refurbished by Surbana Jurong Consultants. Kaomai Estate 1955 is a project in Chiang Mai, Thailand that used to be a tobacco processing estate. 

Look out too for the curvaceous and dramatic Malaysia International Trade and Exhibition Centre by RSP Architects, located in Kuala Lumpur. On a smaller scale (but no less short on drama either) is the Marquee nightclub and Avenue cocktail lounge by ICRAVE in Marina Bay Sands Singapore. Occupying what was formerly a three-storey theatre with a 21m ceiling height, both venues are designed as contrasts of each other and complete sensorial experiences. 

Earlier this year, the Building Better Building Beautiful Commission from the UK released a report entitled Creating space for beauty. In it, it states, “Beauty is a part, not the whole part but an inescapably necessary part of the good life, of what, long ago, the Greeks called eudemonia. And beauty should be shared and democratic[,] not forgotten.”

We were heartened to learn about the existence of this organisation and excited to read how it wants “to put beauty back on the agenda”. This is something we try to do ourselves and, we hope, inspire our audience to follow. 

Case in point is the project on our cover this issue, the UCCA Dune Art Museum by OPEN Architecture, in Qinhuangdao, China. Its beauty lies in how it is partially submerged beneath natural sand dunes and composed of organically-shaped, interconnected, grotto and cave-like segments that mediate the space between land and sea. 

Equally good-looking are the three bungalows that we have featured – each set in a slightly different tropical context. The first is in Malaysia, by MJKanny Architect, that uses a funnel to build anticipation up towards the view, enhanced by a half-radial layout. The second is in Thailand, by Sunday* Architects, and draws on classic Mid-century Modern design elements. The third is in Indonesia, by Saota, a collection of buildings connected by gardens, courtyards and planted terraces. 

Still on the topic of homes, our anchor feature is on affordable housing and the architectural firms that are innovating in this space. The lack of reasonably-priced homes to be offered to the masses is a global issue and governments are now examining the challenge on their hands. This story spotlights a few projects and the architects who are behind them.

A meet-up with Piero Lissoni in his Milan office last March revealed his emphatic belief that architects must always be respectful and responsible when designing a project by not making others “victims” of their work. One application of this is to the importance of context – something that the projects featured in this issue are mindful of. 

For example, Raya Heritage is a new hotel in Chiangmai, Thailand by Boon Design. Faced with a brief from the client to have the property connect to traditional northern Thai culture, the firm created a building with tiered roofs and a structural integrity inspired by vernacular architecture. From Spain comes a villa, Stgilat Aiguablava, by architect Enric Ruiz-Geli and Cloud 9. It establishes a dialogue with the landscape, culture and materials of the Costa Brava region where the house is located. 

A second house, featured on the cover of this issue, is named Surprising Seclusion by HYLA Architects. Designed more as a response to the context of a dense, noisy urban environment, it turns inward with spacious inner courtyards layered with interlocking voids, and an abundance of internal landscaping and natural light. 

Even interior projects can and should be aware of context. The Penthouse Suites of the Ascott Orchard Singapore – and the entire property, for that matter – take their cue from its location along the shopping belt and have interiors inspired by fashion. Designed by Ascott's in-house team led by Kian Liew, they are fitted out with pieces from the home collection of Fendi. 

Our April/May 2019 is all about twinning. We published two reports: one on Ambiente, an important consumer goods exhibition, and the other on Bangkok Design Week. We spotlight the area of Tanjong Pagar twice. The first is in a feature on its waterfront, where the Future Cities Laboratory has come up with a few interesting possible scenarios as to how it can develop once the port moves out. The second is of the mixed-use development Tanjong Pagar Centre, which is now Singapore’s tallest project, designed by SOM. Look out too for a pair of projects from the Middle East. Atelier Brückner has designed the permanent exhibition Arabian Journeys in the King Abdulaziz Center for World Culture. We uncover some of the technologies they used to bring the stories to life. In Israel, Asaf Gottesman has completed the Postscript Residence. This project marks a return to designing a typology he was a leader of in the 1990s, but has not done since 2001. The second home in this issue, Project #4, is a type of twin too, albeit a fraternal one. Created by Studio Wills + Architects, it is a re-arrangement of the massing of Project #3, itself another house in the same neighbourhood. We hope it intrigues you as much as it did
us.

The themes of technology, heritage and conservation make their presence felt this issue. On the tech front, the feature story lists some of the latest tools that architects and designers can add to their kit to improve the way they work, and benefit the environment and the people utilising those spaces. On the heritage and conservation front, the second feature story covers in depth how Bangkok is borrowing these elements to revitalise the banks of the Chao Phraya. Warehouses, shophouses and even the city’s grand dame, the Mandarin Oriental hotel, are undergoing adaptive reuse and being updated. In Singapore, a shophouse along Blair Road has been beautifully restored. Read how its architect Terence Quah had to overcome unexpected several roadblocks posed by the Urban Redevelopment Authority.  Found in the People section is Chooake Wongwattanasilpa who heads the user experience and design division of DBS Bank. He sheds light on design thinking and in a complementary story on the d+a website, shares how architects can enter the field too.

This issue kicks off with a feature on architecture for the silver generation. Earlier in 2018, Colliers International released a report on Asia’s ageing crisis and the increasing need for senior housing. This sparked the story idea that analyses how design can play a part in mitigating this challenge. On the projects front, two five-star hotels in Shanghai, China have opened recently. Both Bulgari Hotel Shanghai and The Middle House (page 52) have strong ties to Italy, but attempt to introduce, in their own ways, that highly important sense of place. Look out for Seascape Lembongan a villa on Nusa Lembongan in Indonesia that takes its cue from the Mediterranean aesthetic. Also taking inspiration from Europe is Merci Marcel, a restaurant that hopes to bring a slice of France to Singapore, yet offers a strong connection to its
locality. Don’t miss either the retrospective coverage of Design Affair, d+a’s very first event, which we are happy to share was very well-received. We look forward to your continued support. Finally, since this issue straddles 2018 and 2019, here’s wishing you a Merry Christmas and Happy New Year.

The Oct/Nov 2018 issue is a geographically diverse one, unveiling many gems across Asia. The feature story takes us to Cambodia (page 30), where we examine how design-oriented boutique hotels have helped the city of Siem Reap attract higher net worth tourists. We also have projects from further north: the office of Taipei-based singer-songwriter JJ Lin, a stunning penthouse in Hong Kong’s Mid-Levels, and an urban ryokan located in Tokyo that successfully embodies all the characteristics of this traditional Japanese inn. Back in Southeast Asia, there is more than what meets the eye of the Unilever Headquarters in Jakarta. Its architects actually borrowed ideas from Indonesian villages to design it. In Malaysia, we peel back the brick walls of the Jandabaik Villas in Pahang to see how it co- exists peacefully with nature. Stories from our home base in Singapore include the versatile office-cum-showroom of architect Terence Chan, Inte Architect’s first bungalow project in Old Holland Road, and Meating Place, a restaurant that translates its specialty in proteins into its interiors.

Could Siri or Alexa someday replace the role of an architect? At present, it does not sound possible. Despite the Fourth Industrial Revolution making its presence felt in almost every industry, it does not seem to have affected architecture too significantly. Yet, we feel it is merely a question of time before it does. This is what motivated the anchor feature this issue, that examines where the architect in arch tech is. 

The tech theme continues with a project by X+Living, Ideas Lab, which drew inspiration from the Industrial Revolution and Information Age to design a mixed-use space for Chinese firm Powerlong Group in Shanghai. This issue continues to keep the spotlight on conservation by featuring two projects related to it. Straits Clan is the second members’ club in Singapore to open, housed within the heritage building formerly occupied by the New Majestic Hotel. In Malaysia, the iconic Datai Langkawi resort gets a makeover almost 25 years after it first opened. 

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d+a is a bimonthly design magazine that covers the latest trends and developments in design, architecture, and technology. The magazine is known for its high-quality photography and in-depth articles on a wide range of topics, including:

* Design: d+a covers the latest design trends in everything from product design to interior design to graphic design. The magazine also features profiles of leading designers and design studios.
* Architecture: d+a covers the latest architectural projects from around the world, with a focus on sustainable and innovative design. The magazine also features interviews with renowned architects and architecture firms.
* Technology: d+a covers the latest technological innovations that are shaping the world of design and architecture. The magazine also features articles on how technology is being used to create new and exciting design possibilities.

d+a is a must-read for anyone who is interested in design, architecture, and technology. The magazine provides readers with a unique perspective on the latest trends and developments in these fields, as well as insights from leading designers, architects, and technologists.

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1. お客様は、Magzter.com、アプリケーション、およびそのサービスの使用は単独でご自身の責任で行うことに同意します。 Magzter.com、その関連会社、従業員、サードパーティのコンテンツ プロバイダーは、サービスが完全に中断されないこと、エラーがないこと、不正行為に対して確実であることを保証しません。また、Web サイトや製品が期待または約束したとおりの正確な結果が得られることも保証しません。

11. サービスおよびすべての出版物は、「現状のまま」および「入手可能な状態」で提供されます。 MAGZTER、その関連会社、サプライヤー、ライセンサーおよび代理店は、明示的か黙示的かを問わず、商品性、特定目的への適合性、および権利侵害の非侵害に関する黙示的な保証を含むがこれらに限定されない、あらゆる種類の保証を明示的に否認します。上記を制限することなく、MAGZTER もその関連会社、サプライヤー、ライセンサー、代理店も、(I) サービスがお客様の要件を満たすこと、(II) サービスが中断されず、タイムリーに、安全に、またはエラーが発生しないことを保証しません。 III) サービスの使用から得られる情報、または出版物に含まれる情報が正確または信頼できるものである、または (IV) 出版物またはサービスの品質がお客様の期待に応えるものであること。信頼できるインターネット接続とデバイスの取得と維持については、お客様が単独で責任を負います。 MAGZTER は、お客様がコンテンツをダウンロードできないことについては責任を負いません。ダウンロードまたはサービスの使用を通じて取得したマテリアルは、お客様自身の裁量とリスクで行われ、かかるマテリアルのダウンロードに起因するコンピューター システムまたはモバイル デバイスへの損害またはデータの損失については、お客様が単独で責任を負うものとします。口頭か書面かを問わず、お客様が magzter から、またはサービスを通じて、またはサービスから得たアドバイスや情報は、いかなる保証も生じません。

2.お客様は、その情報を真実、正確、最新かつ完全なものに保つために維持し、速やかに更新するものとします。あなたは、自分のアカウントとパスワードの機密性を維持し、自分のコンピュータへのアクセスを制限する責任を負い、すべてのコンテンツとサービスの選択と使用を含む、自分のアカウントで行われるすべての活動に対する責任を受け入れることに同意します。

3. いかなる場合においても、Magzter.com、ウェブサイトおよびアプリケーション上のコンテンツの作成、制作、配布に関与する個人、団体、第三者は、契約上または法的責任を負いません。 Magzter.com の使用中または使用中にお客様に発生した直接的、間接的、付随的、特別、および結果的。 Web サイトに登録するか、アプリケーションをダウンロードすることにより、このセクションに記載されている規定が Web サイトおよびアプリケーションのすべての使用およびコンテンツに適用されることに同意するものとします。

3. Magzter からの事前の書面または許可がない限り、ここに公開されているものはすべて Magzter またはそのライセンサーの専有財産であるため、Magzter から取得したコンテンツを変更、コピー、配布、販売してはなりません。このような不正使用は、著作権法や商標法を含む適用法に違反する可能性があるため、Magzter はこれらを厳しく禁止し、そのような違法行為が証明または検出された場合は、アクセスとアカウントを停止します。また、これらの不正行為によって生じた損害についても責任を負う必要があります。出版物の法的所有者が許可する場合を除き、お客様は、サービスを通じてアクセスした出版物をダウンロードすることによって所有権を取得しないことを承認するものとします。著作権法で明示的に要求されている場合、またはサービスの機能によって許可されている場合を除き、変更、リバース エンジニアリング、公開、送信、表示、譲渡または販売への参加、派生作品の作成、またはいかなる形であっても商業的に利用または提供することはできません。 Magzter およびかかるコンテンツの所有者の明示的な許可なしに、アプリのコンテンツ、出版物、またはそれらの一部を第三者に提供すること。当社は、明示的か黙示的かを問わず、Magzter または Magzter のライセンサーの知的財産に対するライセンスを付与しません。

5. あなたは、Magzter.com が他のユーザーや第三者、またはそのコンテンツのいかなる種類の中傷的、攻撃的、または違法な行為に対して責任を負わないこと、および前述の行為による傷害のリスクは完全にあなたにあることを特に認めます。

8. Magzter は、お客様が本利用規約および Magzter が定めるその他の運用規則に準拠しているかどうかを判断する目的で、お客様が公開および入力したコンテンツを監視するすべての権利を留保します。 Magzter は、コンテンツについて決定を下し、独自の意志で削除する権利を有します。

9. Magzter は出版物の販売代理店であり発行者ではないため、Magzter は雑誌に掲載されている意見、アドバイス、声明、サービス、オファーなどを含むコンテンツに対する編集管理を行いません。したがって、Magzter は、そこで提供される情報や事実、または公式の資格に従って行動する Magzter の認定従業員以外の者がサービスを通じて利用できる情報や事実の正確性や信頼性について責任を負いません。したがって、当社には出版物に対する編集上の管理権がありません。本サービスが提供する出版物で行われた意見、アドバイス、声明、サービス、オファー、または第三者によって表明または利用可能にされたその他の情報またはコンテンツは、それぞれの著者または出版社のものであり、第三者のものではありません。マグザー。 Magzter は、サービスを通じてまたは出版物から得た情報への信頼によって生じた損失または損害に対して責任を負いません。本サービスには、他のインターネット サイトおよびサードパーティのリソースへのリンクが含まれている場合がありますが、Magzter は、そのようなリンクされたサイトで利用可能な通信またはマテリアルについては一切の責任を負いません。これらのリンクは便宜のためにのみ提供されています。サードパーティのサイトにアクセスしたり、サードパーティのサイトを通じて注文したりするときに適用される利用規約を理解するのは、お客様自身の責任です。

不快なコンテンツの詳細（プラットフォーム上のリンクを含む）

お気に入りの作品をダウンロードすれば、いつでもどこでもオフラインで読むことができます

愛する人に Magzter ギフト カードをすぐに贈り、何千ものベストセラー タイトルの中からお気に入りの雑誌や新聞を自由に読めるようにしましょう。

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

{{magCount}}冊の人気のインターナショナル雑誌からお気に入りの雑誌を自由に選べるMagzterギフトカードを、大切な人に今すぐ贈りましょう。

Girish Ramdas は、世界的なデジタル出版ビジネスで話題を呼んでいる、ニューヨークを拠点とする新興企業 Magzter の共同創設者兼 CEO です。 Magzter は 2011 年のサービス開始以来、150 か国以上から 9,000 万人のユーザーを獲得しており、世界中の 4,500 以上の出版社から数千冊の雑誌、新聞、書籍が提供されています。彼は、印刷物、モバイル、Web 開発を含むクロスプラットフォーム出版において 25 年以上の経験があります。この期間中、彼は 3 つの新興企業を共同設立し、経営して成功を収めてきました。彼は雑誌社のデジタル化を可能にし、デジタル世界でコンテンツの収益化を支援してきました。ギリッシュは、オンライン、モバイル、出版エコシステムにおける深い業界経験により、世界中のプラットフォームにわたるデジタル コンテンツの取得、マーケティング、収益化の専門家となっています。

当社のプラットフォーム上で不快なコンテンツに遭遇した場合、当社はお客様の懸念に対処するために苦情救済ポリシーを導入しました。

Magzter Inc. (「当社」、「当社」、「当社」) は、お客様がご自身の個人情報がどのように使用および共有されるかについて関心を持っていることを承知しています。当社のプライバシー慣行の詳細については、次のプライバシー ポリシー(「ポリシー」) をお読みください。当社が運営するウェブサイトおよびそのサブドメインのいずれかにアクセスするか、当社のモバイル アプリケーションやその他のコンテンツ配信方法(総称して「サービス」) を使用することにより、概要が説明されている慣行およびポリシーに同意したことになります。本ポリシーに記載されており、お客様は、当社がお客様の情報を以下の方法で収集、使用、共有することに同意するものとします。

Magzter Inc. は、世界最大かつ急速に成長しているセルフサービスのクロスプラットフォーム デジタル ニューススタンドで、2011 年の創業以来 9,000 万人を超えるユーザーがおり、40 以上のカテゴリ、60 以上の言語にわたる数千の雑誌や新聞を扱っています。ニューヨークに本社を置く Magzter は、アムステルダム、ロンドン、メキシコシティ、チェンナイ、ムンバイ、ニューデリー、バンガロール、シンガポールに現地拠点を置いており、間もなく他の国にも拡大する予定です。 2011 年 6 月に世界的起業家であるギリッシュ ラムダス氏とビジェイ ラダクリシュナン氏によって設立された Magzter は、世界中の雑誌や新聞の出版社が自社のタイトルのデジタル版を作成し、世界中の消費者に配信できるようにします。

Magzter は、ユーザーに安全なプラットフォームを提供することに尽力しています。 Magzter は、パブリッシャーがコンテンツを配布するためのプラットフォームにすぎないことに注意してください。当社は、当社のプラットフォームで公開されるコンテンツを管理または推奨しません。当社は、発行者の行動またはそのコンテンツに対して責任を負いません。

Magzter は、コンテンツまたはコンテンツの一部が権利を侵害したために損害を被った、または費用が発生した当事者を補償する責任を負いません。 Magzter は、第三者の権利を侵害するコンテンツまたはコンテンツの一部に起因する権利侵害について、民事裁判所で法的措置を講じる責任を負いません。

Magzter は、Magzter GOLD と呼ばれる世界最大の「読み放題」サブスクリプション サービスを提供しています。これにより、デジタル読者は月額サブスクリプション料金で 9,000 以上の雑誌や新聞に無制限にアクセスできます。 Magzter はまた、アプリ向けの革新的な ezRead 2.0 機能により、世界最大の記事数を誇ります。これにより、スマートフォンや小さな画面のモバイル ユーザーは、本来の楽しみ方で雑誌コンテンツを楽しむことができます。読みやすく、素晴らしいビデオと高解像度の写真が付いています。

名前

Magzterでのコンテンツ発行に関するサポートが必要は場合は、このフォームに記入してください

 Magzter に入社する前は、Dot Com Infoway (DCI) および Galatta Media の社長を務めていました。彼の任務には、戦略的マーケティング、パートナーシップ開発、コンテンツの世界的な収益化が含まれていました。 DCI は、2000 年には 3 人だった小さなチームから、2011 年には 300 人にまで成長し、世界中のクライアント向けに Web、ソフトウェア、アプリの開発を手がけていました。

Magzterの開始以来、お客様に最高のニューススタンドテクノロジーとサービスを提供するため、世界各国の組織や機関と提携することに尽力してきました。雑誌の購読を顧客に提供したい場合や単に詳細に興味がある場合など、お気軽にお問い合わせください。Magzterはお客様のビジネスの成長を支援いたします。お問い合わせ内容について、以下の質問票にご記入ください：

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 DMCA では、元の DMCA 通知を提出した当事者が反対通知のコピーを受け取ってから 10 営業日以内にお客様に対して訴訟を起こさない場合、当社は削除されたコンテンツを復元することができます。

このポリシーは、お客様がサービスにアクセスする際に当社が収集する、個人を特定できる情報(「個人情報」) およびお客様およびお客様のコンピューターまたはデバイスに関するその他の情報の当社の取り扱いを対象としています。以下で詳しく説明するように、当社はお客様から個人情報を収集することがあります。当社はこの個人情報を、当社の製品、サービス、コンテンツ、広告をパーソナライズ、提供、改善するため、またお客様がユーザー アカウントとプロフィールを設定し、お客様に連絡し、特定の製品やサービスに対するお客様のリクエストを満たし、お客様によるサービスの使用状況を分析するため。場合によっては、当社は一部の個人情報を第三者と共有する場合もありますが、これはポイント 4 に記載されているとおりに限られます。

このタイトルは Magzter GOLD サブスクリプションに含まれています

コンテンツの品質を分析し、パブリッシャーに適切なフィードバックを提供するため

当社では、不快なコンテンツに関するあらゆる苦情に対応する苦情担当者を任命しています。

不快なコンテンツに関する苦情は、上記の電子メール アドレスに電子メールで苦情担当者に送信するようお願いします。また、苦情を申し立てる際には、以下の詳細を提供するようお願いします。

さまざまな雑誌、書籍、ニュース、雑誌および出版物関連コンテンツ (総称して「出版物」と呼ばれます) を注文、購読、配信を受け取り、これらの出版物のデジタル版を配信する機能を提供するアプリ

c.また、パーソナライズされた推奨事項を作成するために、アプリケーションの使用に関連する情報も収集します。お客様がサードパーティのアカウント資格情報を当社に提供した場合、お客様がそのような送信を許可した場合、それらのアカウント内の一部のコンテンツおよび / または情報(以下「サードパーティのアカウント情報」) がお客様のアカウントに送信される可能性があること、およびそのサードパーティのアカウントが当社のアカウントに送信される可能性があることを理解したものとします。サービスに送信される情報は、本ポリシーの対象となります。

 f.当社が収集する個人情報により、当社はお客様のリクエストに対応し、当社の製品とサービスを改善し、お客様に表示される広告とコンテンツをカスタマイズし、新製品についてお客様に連絡することができます。

は、2011 年の設立以来 9,000 万人を超えるユーザーがおり、40 以上のカテゴリと 60 以上の言語にわたる数千の雑誌や新聞を擁する、世界最大かつ急速に成長しているセルフサービスのクロスプラットフォーム デジタル ニューススタンドです。ニューヨークに本社を置く Magzter は、アムステルダム、ロンドン、メキシコシティ、チェンナイ、ムンバイ、ニューデリー、バンガロール、シンガポールに現地拠点を置いており、間もなく他の国にも拡大する予定です。 2011 年 6 月に世界的起業家であるギリッシュ ラムダス氏とビジェイ ラダクリシュナン氏によって設立された Magzter は、世界中の雑誌や新聞の出版社が自社のタイトルのデジタル版を作成し、世界中の消費者に配信できるようにします。

 n.また、ユーザーが当社の利用規約を遵守していることを確認するために、使用状況情報も使用されます。たとえば、ユーザーの使用状況情報は、ユーザーが雑誌やその他のコンテンツを許可された回数、または許可された数のデバイスにのみダウンロードしていることを確認するのに役立ちます。

これにより、デジタル読者は月額購読料で 9,000 以上の雑誌や新聞に無制限にアクセスできるようになります。 Magzter はまた、アプリ向けの革新的な ezRead 2.0 機能により、世界最大の記事数を誇ります。これにより、スマートフォンや小さな画面のモバイル ユーザーは、本来の楽しみ方で雑誌コンテンツを楽しむことができます。読みやすく、素晴らしいビデオと高解像度の写真が付いています。

d+a - Issue 104

d+a - Issue 104

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