ART REPUBLIK - March - May 2016
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March - May 2016 issue Digital Access. 
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Magazine Description
In this issue
Following the theme “Young, Wild & Free”, the latest issue of ART REPUBLIK explores independent youth in Southeast Asia’s visual arts roster. Our cover artist this issue is an artist a rebel heart, Indonesia’s Uji 'Hahan' Handoko, who is always pushing boundaries of what is possible, with constant humour in delivering messages that challenge unjust social norms, within an unfair social system in his home town. Alongside, we have features on Donna Ong and her latest collaboration with NUS Museum; Robert Zhao returns from Christmas Island with new works for his participation in the upcoming and acclaimed Sydney Biennale 2016; and fellow local artist to our cover star, Eko Nugroho, one of Indonesia’s most successful artists of all time, speaks to us about his illustrious oeuvre.
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Screens And Surfaces
A reflection on ‘Cinerama: Art and The Moving Image in Southeast Asia’.
Side By Side
Opera Gallery Showcases Dansekhwa and Gutai Artists
Tears Of The Ocean
A new exhibition at NTU CCA Singapore poses critical questions about human intervention in oceanic environments
Modernism Embodied
Defining the works of Cheong Soo Pieng
Looking In
Elling Reitan’s Works Encourage Contemplation and Introspection
Circle Of Life
UOB Southeast Asian Painting of the Year Award winner Sukit Choosri talks about life as he paints it
Chance Encounters
Dan Obana Explores the Subconscious With His Multi-faceted Digital Prints
Centrepieces
Claire Morgan Contemplates Mortality in Her New Exhibition at Galerie Karsten Greve
Building Blocks
George Wong Leaves an Enduring Legacy
'Feminisms And Contemporary Art In Indonesia: Defining Experiences'
In an unprecedented, inclusive exploration of feminisms in Indonesian contemporary art, author Wulan Dirgantoro, who is currently based in Melbourne after completing her Postdoctoral Fellowship with the Art Histories and Aesthetic Practices Programme at the Forum Transregionale Studien in Berlin, looks at the artistic practices of women artists in Indonesia, such as Arahmaiani, Titarubi and IGAK Murniasih, and focuses on the feminist strategies they use not only to make their artworks but also to navigate the Indonesian art world against the sociocultural and political contexts unique to the country.
