SPRING 2022's theme is Connection, and includes:

Arjun Lal’s Fruits of the Forest /  Wren Tian-Morris 天琳琳 and francesca ekwuyasi

Editorial: Connection / Shannon Webb-Campbell

Folded Spaces & Found Places – la représentation identitaire de Mario LeBlanc / Emilie Grace Lavoie

The Lake Nipissing Beading Project / Shannon Webb-Campbell

Creating Connections at the Disability Atlantic Arts Symposium / Amelia Bailey

Radical Hope in Shary Boyle Outside the Palace of Me / Kate Lahey

Lou Sheppard and William Robinson I want to be a seashell/ I want to be a mold/ I want to be a spirit / Cinthia Arias Auz

Doug Dumais: Ephemeral Endurance / Austin Henderson

Ta’n A’sikatikl Sipu’l | Confluence & Nelson White’s Tukien / Tiffany Morris

A Place to Practice: Wonder’neath Art Society / Sadie Bills

Wildhood / Bretten Hannam and Shannon Webb-Campbell in Conversation

Spring 2024
Kathy Hooper’s Mountains of Wonder and Tangles of Truth, Jericho Knopp
Editorial, Shannon Webb-Campbell
William Robinson’s Pitchpole, Tori Fleming
Lucas Morneau’s Queer Newfoundland Hockey League, Maeve Hanna
Atlantic Ballet’s Pisuwin: A Wolastoqiyik Story, Shannon Webb-Campbell
Arjun Lal’s Leather Bar in Bangalore, Rajee Paña Jejishergill
Tyshan Wright:Maroon Town, Morgan Mullin
Log on to the World of Marissa Sean Cruz, Brody Weaver
Séamus Gallagher’s Candy-Coated Universe, Morgan Mullin
Soil Body, Lenka Tomlinson
The Art of Mi’kmaw Basketry, Shannon Webb-Campbell

Whether it’s expanding conversations around the climate crisis, lived racialized realities facing the Black diaspora, honouring Indigenous resilience, or mobilizing global Indigeneity, art is an entry point into the larger issues we face as a society. Visual Arts News strives to keep up with the ever-changing and evolving local and global conversations connecting art and the world.

As the leaves turn and the air cools, we all begin to look inward. I hope the Fall issue of Visual Arts News deepens our conversations and inspires reflections on the artist’s important role in contemporary society—art helps us learn and unlearn, and teaches us to navigate the complexities of climate change, Black liberation, Indigenous sovereignty, anti-oppression, and anti-racism, as well as sexual and gender diversity.

Ji Hyang Ryu’s Culture Bridge / Kara Au 
Editorial: Summer Gothic / Shannon Webb-Campbell 
Tropical Gothic / Wren Tian 
Jenny Yujia Shi 施雨迦’s Hopefully, I’ll remember, and Kayza DeGraff-Ford’s cross-rhythms of not yet and no longer / Cinthia Arias Auz 
Jessie Fraser’s I Hope You Are Both Well / Carley Mullally 
Building A Home for Performance Art in NB: the Ongoing Legacy of PERFform / Amy Ash
Jennifer Green’s Flaxmobile Weaves Linen from Soil and Place / Jolee Smith 
CRAFTS___SHIP / Shannon Webb-Campbell in conversation with Carley Mullally, Gillian Maradyn-Jowsey and Inbal Newman 
Alex Antle’s Njikam (My Younger Brother) / Emily Critch 
Rebecca Delle Monache’s AQUA / Shannon Webb-Campbell 
Emilie Grace Lavoie’s Times are Hard for Dreamers / Kate Giles 
Children of Fogo Island / Kate Lahey

Deanna Musgrave’s Transcendence / Kara Au 
Editorial / Shannon Webb-Campbell 
Sheilah ReStack’s Control Is Cassandra / Annick MacAskill  
Jared Betts’ Prismatic Paintings / Kathleen Buckley  
Glitter & Magic / Maeve Hanna 
Miya Turnbull’s Self-Portrait Mask Art / Clare Goulet
Collective Intricacies / Yakosu Umana
Radiant Rural Halls / Norah Pendergast 
it comes in waves / Melissa Spohr Weiss
Larry Weyand’s Every Bathroom I Have Bathed in 1995-2020 / Amanda Shore
Beyond the Gallery / Cinthia Arias Auz

Summer 2022 issue featuring:
Sisterhood Bound by Quills by Tara Francis 
Editorial by Shannon Webb-Campbell 
Mi’kmaq/Wampanoag Potter Nancy Oakley by Emily Shaw 
Craft inspires a new Atlantic Vernacular by Maegen Black 
Eryn Foster’s A Proposition of Organisms by Shannon Webb-Campbell 
Nic Wilson’s Learn Spelling by Christiana Myers
STAYING at The Blue Building Gallery by Maeve Hanna 
Balancing Visibility and Indeterminacy by Liuba Gonzalez de Armas 
Kristina Søbstad’s Pigmented Perceptions by Emily Pittman 
The Baroness Elsa Project at Owens Art Gallery by Amy Ash 
The Past Informs the Future Shannon Webb-Campbell in conversation with Tyshan Wright

Ursula Johnson’s ITHA: The Livingroom / Amy Ash

Editorial / Shannon Webb-Campbell

What the Ocean Remembers / Eva Crocker

Photographer Ethan Murphy’s Cabin Fever / Andrew Sampson

TOIL HERE: Artworks from rural Mi’kma’ki / Maeve Hanna

F*ck Resilience, Give Me Joy / Sally Wolchyn-Raab

Carley Mullally Transforms Marine Debris / Julian Covey

HOST / Kara Au

Bonavista Biennale 2021 / Emily Pittman

Archival Futurism: Rita Malik’s On Being Brown / Merray Gerges

Crow Gulch: Q&A with Jordan Bennett and Marcus Gosse / Shannon Webb-Campbell

Art in the Open / Maeve Hanna

Life in Silos, Art, Work and Motherhood / Jane Walker

Editorial: Solitude / Shannon Webb-Campbell

Faune Ybarra’s Archive of Embodied Displacement / Emily Critch

Self, Alone: an illustration / Colleen MacIsaac

2482 Maynard: The Blue Building / Shannon Webb-Campbell

Silver Linings: Karen Stenaford on Process and Placehood / Amy Ash

Revisioning the Confederation Centre Art Gallery / Jane Affleck

Tactics for Staying Home in Uncertain Times / Erin Riehl

Andrea Dorfman and Tanya Davis’ How To Be At Home / Tori Fleming

Brandon Hoax’s Desire for Solitude / Cinthia Arias Auz

Solo Summer Reads / Shannon Webb-Campbell

Sustenance: 
Barbara Pratt
Carrie Allison
Julia Hutt

The Change issue:
Resistance and resilience; Unsettling Settler Possession; Attending the Apocalypse; Taking Care; and much more...

Most people, whether they realize it or not, have a relationship to architecture. We inhabit space and move through buildings, houses, apartments, and cities. Most people have a connection to art. The relationship between architecture and art is intrinsic, and the environment plays a significant role. Where we live affects how we live, and, in turn, shapes our creative sensibility and our artistic output. 

Monica Adair, co-founder of Acre Architects in New Brunswick, believes architecture is central to our everyday lives, and is in constant relation to community and the art world. She offers deeper insight into this connectivity and how it affects art on the East Coast in "Atlantic Art-chitecture."

Artists, writers, and architects often move to low-income parts of the city to sustain their lives and practice. Inevitably, building companies buy the affordable housing and gentrify the neighbourhood, forcing artists our of their studios and homes. "Relocation by 'Renoviction'," explores the decline of artist studios in Halifax's North End. 

In 1976, PEI saw The Ark, a world-renowned project illustrating the need to create more sustainable housing in the wake of the energy crisis, stressing our ecological impact on the environment. The exhibition "Living Lightly on the Earth: Building an Ark for Prince Edward Island, 1974-76," at Beaverbrook Art Gallery, is now more pertinent than ever before. 

How we live is just as important as where we live. Our lives are not renewable resources. Architecture and art teach us we are finite, and so is the land we live on and the air we breathe.

Whether it's a touch-based approach to interacting with the landscape, or using land as material, the connection to land as material is central to this issue of Visual Arts News.

Billy Gauthier's Saunituinnaulungitotluni / Byond Bone showcases his carving work in stone, whale baleen, caribou antler, and mammoth ivory in the Inuk artist and activist's first mig-career retrospective at The Rooms in St. John's. Gauthier's conection to the land is intrinsic to his work, and being gestures to this reciprocal relationship with the land as the artist honours the material. 

Saint John-based KC Wilcox's work speaks to environmental concerns, and urban nature sites specifically, and how they are part of our collective and community responsibility. Wilcox's work focuses the lost purpose of a material world (fallen trees, a broken bird wing, a loose brick), object production, and how this forges our relationship with materialistic desires. 

In Halifax-based Bart Vatour's "Facts About Quaking Aspen (for Graeme and Rita)," from his forthcoming collection The Truth About Facts, he writes of the trembling deciduous trees. Vatour's poetics speak to the internal and external relationship to art as materiality and meaning. 

It is through their intimacy with the land, material engagement with the tides, stone, whale bone, reconnection to territory, and their relationship to flora and fauna, the artists remind us that everything is connected; we are all made of land and water.

Design and art speak from the inside to the outside world. They are how we orient, re-orient and situate ourselves in a place and time. Art and design are the great communicators - a visual language - of who we are, how we live, and what we find meaning in.

Cover artist Jordan Bennett, who is Mi'kmaw from Ktaqmkuk (Newfoundland), illustrates the impact design has on art, and art has on design in his solo exhibition at the Art Gallery of Nova Scotia, fusing ancestral and contemporary art and design. 

The Museum of Longing and Failure, maintained by Chloe Lews and Andrew Taggart, lurs borders of art, design, and architecture as viewers are invited to meditate on shape, form, and how they relate to longing and failure. 

Montreal Based Costa Rican artist, Juan Ortiz-Apuy's Fountain Mist exhibition at the Owens Gallery surveys elements of design for a cutting and playful analysis of mass production.

In Shannon Webb-Campbell's first issue as Editor of Visual Arts News, artists ask us to pay witness, and explore connections to territory—to land and responsibility. Woven throughout this issue are themes that speak to the expansiveness of community, re-telling and re-imagining relationships, and how art revisions dominate colonial attitudes and narratives. 

#callresponse is a provocative exhibition that isn't merely a reaction to reconciliation, or a catalogue of resistance, it's an on-going project which represents the fullness, vitality, and abundance of powerful Indigenous artists. Kent Monkman challenges the founding narratives of Confederation through artistic subversion. Mi'kmaq artist Nelson White's work honours ancestral truths, kinship, and combats colonial attitudes of Newfoundland and Labrador. Ned Pratt both rebels against and also honours his artistic parents Christopher Pratt, and the late Mary Pratt, exploring presence and tension. Like Pratt, cover artist Kym Greeley's paintings illustrate a different side of Newfoundland and Labrador—showing how the relationship to the island changed when the government paved the Trans-Canada Highway. Visionary of Fogo Island Arts, Zita Cobb, asks "What does art have to do with the price of fish?" focusing on society's current crisis of belonging. Also exclusive to this issue of Visual Arts News is Mi'kmaq poet Michelle Sylliboy's "Ancient Messages"—fusing the written Mi'kmaq Komqwejwi'kasikl language and photography.

The artists in this issue inspire us to examine our relationships with nature and, in turn, to better know ourselves, to explore our own unknown lands. New Zealand artist Mark Harvey critiques traditional approaches to landscape painting in his public performances. Charlotte Wilson-Hammond invites us to tune into our connection to the landscape who refers to is as “a body” itself. For artists like Susan Wood, who passed away early this year, the natural world served as a source of self-recognition and discovery. In this issue we’re reminded of how the forces of nature shape our lives as well, of the things we shed and gain as we drift through life.

Visual Arts News is dedicated to visual art in Atlantic Canada; every issue includes engaging exhibition reviews, artist profiles and in-depth features on issues facing art professionals across the province. As one of the oldest publications in Atlantic Canada, it is a well-trusted source of information for readers with a passion for its thriving visual arts scene. Written in a clear and sophisticated style by some of the most talented arts writers, Visual Arts News reflects the diversity of from our geographic and cultural communities.

In this 40th Anniversary issue of Visual Arts News there is a focus on The New Nova Scotia, where young painters like Waka Okabayashi commune with flowers, connecting with them as though they’re sentient beings; Artists pick up where their parent’s generation left off, staging their utopian dreams for living together better on this planet on Cape Breton Island; Lou Sheppard transforms the spaces between words in a diagnostic text listing criteria for gender dysphoria into bursts of dance, recoding them as queer spaces; and Ursula Johnson’s work appears like a an ad-style intervention.

In this issue of Visual Arts News, a handful of our featured artists offer fresh alternatives to the static and monolithic conceptions of identity that still linger today. The only constant when it comes to identity formation is found in continuous fluctuating moments of self-creation.

In this issue of Visual Arts News many of our featured artists exhume relics from our histories, not merely as historians or archeologists, compensating for history’s tendency of telling only the victor’s stories; they’re alchemists, reanimating and transforming lost memories buried deep within forgotten landfills of our collective consciousness.

In this issue of Visual Arts News, many of our featured artists explore the impact and potential of the communication technology we use. Artists Jordan Bennett and Ursula Johnson use smartphones as a tool to revive the Mi’kmaq language. Others critique the impact of our communication tools. Photographer Lorraine Field argues that we’ve come to view death as a sort of obsolescence - a failure of our bodies to keep pace with a plugged-in world. And Marilou Lemmons and Richard Ighby take pervasive symbols of productivity and flip them on them on heads to expose the absurdity of our output-obsessed culture.

In this issue of Visual Arts News, many of our featured artists create works that mark attempts to navigate the shifting geopolitical contexts we find ourselves embedded in, exploring themes of order and chaos and the tenuous connections between the two states.

Spring 2024

Fall 2023

Summer 2023

Spring 2023

Fall 2022

Summer 2022

Spring 2022 - Connection

Fall 2021 - Resilience

Summer 2021 - Solitude

Spring 2021 - Sustenance

Fall 2020

Spring 2020 - Architecture

Fall 2019 - Landscape Materiality

Summer 2019 - Art + Design

Spring 2019: EXPANSE

Fall 2018: UNKNOWN LANDS

Visual Arts News is dedicated to visual art in Atlantic Canada; every issue includes engaging exhibition reviews, artist profiles and in-depth features on issues facing art professionals across the province. As one of the oldest publications in Atlantic Canada, it is a well-trusted source of information for readers with a passion for its thriving visual arts scene. Written in a clear and sophisticated style by some of the most talented arts writers, Visual Arts News reflects the diversity of from our geographic and cultural communities.

1. You agree that the use of Magzter.com, the application and its services, are at solely at your own risk. Neither Magzter.com nor its associates nor employees nor third party content providers guarantee that the service will be completely uninterrupted or error-free or foolproof against miscreant activities. Nor do they warranty that you will get the exact results as expected or promised by the website or product.

11. THE SERVICE AND ALL PUBLICATIONS ARE PROVIDED ON AN 'AS IS' AND 'AS AVAILABLE' BASIS. MAGZTER, ITS AFFILIATES, SUPPLIERS, LICENSORS AND AGENTS EXPRESSLY DISCLAIM ALL WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITING THE FOREGOING, NEITHER MAGZTER NOR ITS AFFILIATES, SUPPLIERS, LICENSORS OR AGENTS, MAKES ANY WARRANTY THAT (I) THE SERVICE WILL MEET YOUR REQUIREMENTS, (II) THE SERVICE WILL BE UNINTERRUPTED, TIMELY, SECURE, OR ERROR-FREE, (III) THE INFORMATION THAT MAY BE OBTAINED FROM THE USE OF THE SERVICE OR THAT MAY BE CONTAINED IN THE PUBLICATIONS WILL BE ACCURATE OR RELIABLE, OR (IV) THE QUALITY OF ANY PUBLICATIONS OR THE SERVICE WILL MEET YOUR EXPECTATIONS. YOU ARE SOLELY RESPONSIBLE FOR OBTAINING AND MAINTAINING RELIABLE INTERNET CONNECTIVITY AND YOUR DEVICE. MAGZTER IS NOT RESPONSIBLE FOR YOUR INABILITY TO DOWNLOAD CONTENT. ANY MATERIAL DOWNLOADED OR OTHERWISE OBTAINED THROUGH THE USE OF THE SERVICE IS DONE AT YOUR OWN DISCRETION AND RISK AND YOU WILL BE SOLELY RESPONSIBLE FOR ANY DAMAGE TO YOUR COMPUTER SYSTEM OR MOBILE DEVICE OR LOSS OF DATA THAT RESULTS FROM THE DOWNLOAD OF ANY SUCH MATERIAL. NO ADVICE OR INFORMATION, WHETHER ORAL OR WRITTEN, OBTAINED BY YOU FROM MAGZTER OR THROUGH OR FROM THE SERVICE SHALL CREATE ANY WARRANTY.

2. You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

2.You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

3. In no event will Magzter.com or any person or entity or third party involved in the creation, production and distribution of the content on the website and the application be liable in contract or legally for any damages, including and not limited to, direct, indirect, incidental, special, and consequential incurred to you while or on using Magzter.com. By registering on the website or downloading the application, you agree that the provisions mentioned in this section shall apply to all use of and content on the website and the application.

3. Without prior written or authorised permission from Magzter, you should not modify, copy, distribute or sell any content obtained from Magzter as everything published here is the proprietary property of Magzter or its licensors. As such unauthorised use may also violate applicable laws including copyright and trademark laws, Magzter strictly prohibits these and will terminate your access and account if any such illegal activity is proved or detected. You should also stand liable for the damages caused by these unauthorised activities. Except as permitted by the Publication's lawful owner, you acknowledge that you do not acquire any ownership rights by downloading Publications accessed through the Service. Except as explicitly required under copyright law or permitted by the features of the Service you may not modify, reverse engineer, publish, transmit, display, participate in the transfer or sale, create derivative works of, or in any way commercially exploit or provide to a third party the content of the App, the Publications, or any portion of them without the express permission of Magzter and the owner of such content. We do not grant you any licenses, express or implied, to the intellectual property of Magzter or Magzter's licensors.

5. You specifically acknowledge that Magzter.com is not liable for any kind of defamatory or offensive or illegal conduct of other users or third parties or their content and that the risk of injury from the foregoing rests entirely with you.

8. Magzter reserves all rights to monitor the content published and inputted by you for the purpose of determining whether you are compliant with these terms and conditions and other operating rules determined by Magzter. Magzter has the right to take decisions about the content and delete them at its own will.

9. Magzter is a distributor and NOT a publisher of the Publications and so Magzter has no editorial control over the content, including opinions, advice, statements, services, offers etc., that is represented in the magazines. So Magzter will not take responsibility for the accuracy or the reliability for any information or facts provided therein or that is made available through the service, by anyone other than authorised Magzter employees who are acting on their official capacities. Accordingly, we have no editorial control over the Publications. Any opinions, advice, statements, services, offers or other information or content expressed or made available by third parties, including those made in Publications offered by the Service, are those of the respective author(s) or publisher(s) and not of Magzter. Magzter will not be liable for any loss or damage caused by your reliance on information obtained through the Service or from the Publications. The Service may contain links to other Internet sites and third-party resources and Magzter does not assume any responsibility or liability for communications or materials available at such linked sites. These links are provided for your convenience only. You are solely responsible for understanding any terms and conditions that may apply when you visit or place an order through a third-party site.

Details of the objectionable content, including its link on our platform

Download your favorite titles and read them offline, anytime and anywhere

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines and newspapers from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from {{magCount}} best-selling international titles.

Girish Ramdas is the Co-founder and CEO of Magzter, a New York based startup that has been making waves in the global digital publishing business. Magzter has crossed 80 million users since its inception in 2011 from more than 150+ countries with 1000s of magazines, newspapers and books from more than 4,500 publishers worldwide. He has more than 25 years of experience in cross-platform publishing, including print, mobile, and Web development. During this period, he has co-founded and run three successful start-up businesses. He has enabled magazine companies to go digital and helps them monetize their content across the digital world. Girish's deep industry experience in online, mobile and publishing ecosystems has made him an expert in acquisition, marketing and monetizing digital content across platforms globally.

In the event that you encounter any objectionable content on our platform, we have put in place a grievance redressal policy to address your concerns.

Magzter Inc. (“Company”, “we”, “us” or “our”) knows that you care about how your personal information is used and shared. Please read the following privacy policy (the “Policy”) to learn more about our privacy practices. By visiting any of the websites operated by the Company, and any sub-domains thereof, or using any of our mobile applications and other methods of content distribution (collectively, the “Service”), you acknowledge that you accept the practices and policies outlined in this Policy, and you hereby consent that we will collect, use, and share your information in the following ways.

Magzter Inc. is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 80 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Magzter is committed to providing a safe and secure platform for our users. Please note that Magzter is merely a platform for publishers to distribute their content. We do not control or endorse the content published on our platform. We cannot be held responsible for the actions of our publishers or their content.

Magzter is not responsible for compensating any party that has suffered damages or incurred costs due to any content, or part of the content, that violates their rights. Magzter is not liable to face any legal action in civil court for any violation of rights caused by any content, or part of the content, that infringes the rights of a third party.

Magzter offers the world’s largest {{allyoucanread}} subscription service called {{gold}} which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Magzter offers the world’s largest “All-You-Can-Read” subscription service called Magzter GOLD which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Name

Note: This will only share the cover and the publication information, but not the content.

Please fill out this form if you need any help regarding publishing your content on Magzter

Prior to Magzter, he was the President of Dot Com Infoway (DCI) and Galatta Media. His duties included strategic marketing, partnership development, and monetizing content globally. DCI grew from a small team of 3 in 2000 to 300 by 2011 and was dealing with web, software and app development for clients globally.

Since we launched, Magzter has been committed to partnering with global organizations to provide the greatest possible newsstand technology & service to our customers. Whether you are looking to offer magazine subscriptions to your customer database or just want to learn more, Magzter is committed to helping your business grow. To find out more, please fill out the questionnaire below:

The DMCA allows us to restore the removed content if the party filing the original DMCA Notice does not file a court action against you within ten business days of receiving the copy of your Counter Notice.

This Policy covers Company’s treatment of personally identifiable information (“Personal Information”) and other information about you and your computer or device that Company gathers when you are accessing the Service. We may collect Personal Information from you, as explained in more detail below, and we use this Personal Information internally in connection with our Services, including to personalize, provide, and improve our products, services, content, and advertising, and to allow you to set up a user account and profile, to contact you, to fulfill your requests for certain products and services, and to analyze how you use the Services. In certain cases, we may also share some Personal Information with third parties, but only as described in point 4.

This title is included with your Magzter GOLD subscription

To analyze the quality of content and provide appropriate feedback to publishers

We have designated a Grievance Officer to address any complaints related to objectionable content.

We request that any complaint related to objectionable content be sent to the Grievance Officer through email to the above-mentioned email address. We also request that you provide the following details when making a complaint:

and the App that provides you the capability to order, subscribe to and receive the delivery of various magazines, books, news and magazine and publication related content (collectively known as 'Publications') and to have these digital versions of the Publications delivered to you

c. We also collect information associated with your use of the application in order to make personalized recommendations. If you provide your third-party account credentials to us, you understand some content and/or information in those accounts (“Third Party Account Information”) may be transmitted into your account with us if you authorize such transmissions, and that Third Party Account Information transmitted to the Service is covered by this Policy.

f. The Personal Information we collect allows us to respond to your requests, improve our products and services, customize the advertising and content you see, and communicate with you about new products.

is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Visual Arts News Magazine - Spring 2022 - Connection

Visual Arts News Magazine - Spring 2022 - Connection

In this issue

Visual Arts News Magazine Description: