RENAISSANCE MAN

Keyboard supremo Lonnie Liston Smith is one of jazz’s pre-eminent sidemen, playing with Rahsaan Roland Kirk, Pharoah Sanders and Miles Davis. But it was as a leader that he came into his own, trailblazing a style that blended improvisation with soul and funk grooves. Spreading messages of peace and tranquility through positivist lyrics, albums such as Expansions, Visions Of A New World, Reflections Of A Golden Dream, and Renaissance proved crossover hits. Diversions into boogie followed before his renown among the rap generation led to his involvement in Guru’s groundbreaking project, Jazzmatazz. Tempted back into the studio by producers Adrian Younge and Ali Shaheed Muhammad, the keyboardist’s first new album in 25 years rekindles the magic of his 70s recordings. He talks Paul Bowler through some of the key albums of his remarkable career.

HIGH FLYING BIRD

As the forbidding figure behind New York post-punk noise provocateurs Swans, Michael Gira spent the bulk of the 80s as the sworn enemy of conventional melody, until new creative partners and an unsatisfactory spell with a major label saw new influences come into play. More recently he has ventured back down that original avant-garde road armed with a bigger, more ambitious sound. “I write because I have to,” he tells

SO NOIR SO GOOD

With The Cure’s US dates being hailed as the tour of the summer, Siouxsie cutting an imperiously witchy figure at festivals, everyone from Bauhaus to The Mission still active, various releases including a box set, a slew of books, and newspaper articles, Goth seems destined to outlive all other subcultures. The polymorphously perverse post-punk movement that began in a club in London has since seeped into all corners of modern life, from Batman movies to Billie Eilish – even Eurovision 2023 seemed inundated with goth sonics/imagery. Jeremy Allen casts a kohl eye over its origin story and speaks to goth prime movers.

The Flaming Lips – "We like Sex Pistols and Pink Floyd"

Across four decades and countless madcap ideas, The Flaming Lips have evolved from indie noiseniks to purveyors of Disneyesque symphonia to multi-media art ensemble, each new album expanding the group's sonic world and conceptual ambitions. Accidental hits (She Don't Use Jelly; Do You Realize??) have pulled them into the mainstream on occasion, and yet the Lips have consistently refused to court commercial success and often seemed to actively shun it, with a string of extra-curricular projects, including a homemade sci-fi movie and a line in deconstructive covers albums, defying even the most hardened Lips fan to make sense of it all. Frontman Wayne Coyne tells Jason Draper why the extreme-embracing unit will always remain a "weirdo studio band".

33 1/3 minutes with... Allan Clarke

Allan Clarke co-founded The Hollies with school friend Graham Nash. Between 1963, the year they started, and 1968 when Nash left to form Crosby, Stills & Nash, they notched up nine Top 5 singles including Just One Look, Here I Go Again and I’m Alive, their first of two No 1s.

NO LESS THAN HERO

To mark the release of Seven Psalms, an astonishing meditation on spirituality and mortality and his first album of new material in seven years, Paul Simon a giant of postwar American popular song matched only by Dylan - takes to Zoom for an RC exclusive to talk about (his) music with fan, friend and fellow master songwriter, Elvis Costello. Listening in: Terry Staunton.

Oh, Sit Down!

We will if you stop playing those infectious big-venue anthems to alienation and belonging. But James can't help themselves, and they never could, whether in their early indie phase, during Madchester, with Eno, or any time since. Still on their singular path and in pursuit of the new, they're releasing an orchestral retrospective album, Be Opened By The Wonderful. Tim Booth, Saul Davies and Jim Glennie tell Kevin Harley about their choppy journey as perennial outsiders and the value of an open mind.

BREAKING THE WAVES

A going concern since 1976, first in The Hague and since 2006 in Rotterdam, the annual North Sea Jazz Festival returns this summer with a stellar lineup including Janelle Monáe, Seal, Stormzy, Little Simz, Lizzo, Duckwrth, Snarky Puppy, Tom Jones, Van Morrison, Buddy Guy, Mavis Staples, Jill Scott and more. It showcases the best contemporary jazz-influenced acts while attracting the biggest names. Photographer Paul Bergen has been capturing images from the festival for nearly four decades. He talks us through some of his favourite shots from previous years...

KINGS OF THE WORLD

Fifty years ago, imams of immaculacy and avatars of the acerbic, Steely Dan, were jazz pop's cool rulers. They had under their belts a debut album, Can't Buy A Thrill, that wasn't so much hesitantly promising as fully-realised, supremely accomplished. Clearly, on a roll, the follow-up, issued in July 1973, was, if anything, even better: their second - and, some would say, finest - album of cutting perfection (ism), Countdown To Ecstasy. Max Bell evaluates its razor buoyancy.

WIND OF CHANGE

It is 1974 and the Bee Gees haven't had a hit for a while. Nor are they enjoying the critical respect of the heavenly-harmony \"B\" boys: Beatles, Beach Boys, Byrds. Into this commercial and critical lull enters producer Arif Mardin. In this extract from his book on the brothers Gibb, Bee Gees: Children Of The World, author, RC writer and pop musician Bob Stanley finds them midway through Phase 2 of their transition from late 60s orch-popsters to late 70s disco behemoths.

POP ART

Numerous rock'n'pop artistes have proven dab hands with other artforms over the decades. RC artist Paul Bowler paints a picture of some of those who work on other canvases

The days of his life

Freddie Mercury's unseen personal collection set to be exhibited and auctioned, darlings!

Label of Love

Q & A | AV8 RECORDS – Eastbourne/London

Lost and Found

In the 80s, the UK had The Smiths – America had The Smithereens: an emblematic fourpiece 60s-referencing college radio/alt-indie band combining elements of girl group pop and beat-era rock; melodic with hints of mayhem. And, as Bill Kopp reports, New Jersey’s forgotten heroes are still out there, doing it…

Present Tense

Songs for old-timers: veteran singer-songwriter mixes anguish and tenderness.

Higher Power

Folk icon continues to bridge the past and the present.

Homeward Bound

Belief and beauty explored with rare grace.

Above And Beyond!

Big brother triumphs by reminding everyone he knows how to write giant tunes.

Wish List

A half-speed master holds off time as it waits in the wings.

Kick Out The Jams

Brilliant compilation celebrating Liverpool’s cultural heritage.

Movers And Shakers

A new box set chronicles the “saxophone Colossus”’s late 50s California sojourn.

Weeping Beauty

Anniversary edition of an angst classic, in an atmospheric new mix.

DREAD ALERT

The dub poet and activist Linton Kwesi Johnson is publishing his first book of prose, a fine addition to his impressive CV that includes music journalist, label owner and punk and post-punk reggae avatar. Man free-lance: Rich Davenport

SHAKIN ALL OVER AGAIN

Even a heart attack in 2010 couldn’t deter Welsh rock’n’roll institution Shakin’ Stevens from returning to fight the good fight. Now, at 75, he has made another highly personal record that might confound those expecting him to fall back on the vintage covers and 50s stylings that made him such a ubiquitous presence on the 80s pop scene. “A lot of people are going to be shocked,” he warns Jack Watkins.

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Evolving from blues-rock through prog and several different points in-between, East Midlanders Family perhaps don’t get the recognition they deserve these days, possibly because of such wilful refusal to stay in one musical lane. With a clutch of reissues ready to prompt a revision of that reputation, Roger Chapman tells his side of a tortuous tale to Michael Heatley.

EUROPEAN UNION

One is the daughter of a psychedelic rock hero, the other played bass in The Clash. As Galen Ayers and Paul Simonon unite for a duets album, Can We Do Tomorrow Another Day?, Kevin Harley hears about how they wore their pasts lightly while drawing inspiration from continental adventures and great male-female duos of the past…

maconblack

Ian McCann Stadium gigs? Forget it. And as for live albums...

Musician Paul Mayer

Paul Mayer, a creative director and musician, has been collecting “Exotica” music on vinyl since he was just 12 years old. In the 70s, his parents took him to Hawaii where, at a young age, he saw the great Martin Denny perform at the Surf Room in the Royal Hawaiian Hotel at Waikiki.

Battling the bootleggers

West Country millionaire’s counterfeit records racket shut down

"YOU HAVE TO BE RUTHLESS"

Simply Red’s soulful pop was one of the most familiar sounds of the 90s and made Mick Hucknall a household name. Despite their commercial domination, they were critical pariahs, dismissed for their smoothness and Hucknall’s reputation as a lothario. Truth is, they were steeped in dub, gritty R&B and post-punk, proud working-class peers of ‘soulcialists’ Style Council and Redskins. Three decades on, they continue to sell more albums than there are ginger hairs on his famous head: the work ethic is strong with this one. “We played to a million people last year,” he points out, and with a new album and tour to promote, he’s only going to be stepping up the professional pace. “You can’t take anything for granted,” he tells Lois Wilson.