मैगज़्टर गोल्ड के साथ असीमित हो जाओ

मैगज़्टर गोल्ड के साथ असीमित हो जाओ

10,000 से अधिक पत्रिकाओं, समाचार पत्रों और प्रीमियम कहानियों तक असीमित पहुंच प्राप्त करें सिर्फ

$149.99
 
$74.99/वर्ष

कोशिश गोल्ड - मुक्त

Sonus faber Sonetto V G2 - LOUDSPEAKER

Stereophile

|

December 2024

Here's a hard truth: A written review of a full-sized speaker any speaker, really-is, at best, semi-useful. We all listen differently, we have different musical tastes, our system electronics are different, and our listening rooms vary a lot. You will gain a general picture of a speaker's capabilities and foibles from John Atkinson's measurements, and I can tell you how the speakers sound to me, in my room. But that's it. You need to hear them for yourself before making a buying decision. The best I can do is tell you how my music brain felt when the speakers were in my house and making music.

- TOM FINE

Sonus faber Sonetto V G2 - LOUDSPEAKER

But hey, that's better than nothing. If you're in the market for a pair of modestly sized, reasonably priced floor-standing loudspeakers, I encourage you to read on as I describe the lively musical times I spent with the Sonus faber Sonetto V G2's ($6499/ pair). If you like what you read, seek out a Sonus faber dealer so you can hear a pair with your own ears. If you like what you hear...

Description

Italy's Sonus faber is a division of the McIntosh Group, which also owns its namesake company in Binghamton, New York, Sumiko phono cartridges, and the Fine Sounds global distribution companies. Sonus faber refreshed its Sonetto line, which sits above the Lumina and below the Olympica Nova lines, at High End Munich 2024 last May. The company's top line is the Reference Collection, which includes the Suprema four-piece system;' some of the new technology in the second-generation Sonettos flows from the Suprema. The Sonetto line includes two stand-mount models, three floorstanders, a center-channel array for surround systems, and a wall-mounted speaker for whole-house systems.²

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If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a cozy restaurant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits. Forever known to some as “Mahavishnu,” you can call him by his birth name, John McLaughlin.

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I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.

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Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²

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STEREOPHILE'S 34TH ANNUAL PRODUCT OF THE YEAR 2025 AWARDS

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Lotti Golden

Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.

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Baby you can drive my car(tridge)

While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from windup clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I once owned and foolishly sold. But almost everything made since the 1950s uses one of the three main drive systems. Even the Omega Drive system, which was used by Wilson Benesch on their extraordinary GMT One turntable, is at its core a direct drive design.

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MANUFACTURERS' COMMENTS

MoFi Distribution would like to thank both Ken Micallef and John Atkinson for their time and effort reviewing the HiFi Rose RA280 integrated amplifier (November 2025, p.93).

time to read

2 mins

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