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Is this the ultimate old-school analog move?

Stereophile

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December 2025

Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²

- BY JIM AUSTIN

This month, I am writing about what could be the ultimate analog topic circa 2025: A prominent vinyl-only record club is going totally offline. Is it a marketing gimmick? Sure it is, but read on.

I am a former Vinyl Me, Please (VMP) member. In the spring, my membership was up for renewal. I had joined on a whim, and while I found their pressings excellent, their titles were a mixed bag. Then I heard that CEO Cameron Schaefer and CFO/Chief Strategy Officer Rich Kylberg had been fired, accused of funneling VMP profits to build a record-pressing plant. I also heard that people were not receiving records they had paid for, though I did not experience that myself. For good measure, I deleted my credit card info so that I couldn’t be charged. About a week after I canceled my membership, I heard VMP was closing.

The pressing-plant story has a happy ending. The Denver-based plant eventually opened under different ownership, as Paramount Pressing, run by musician Dave Rawlings and vinyl-tech guru Gary Salstrom. There’s no remaining connection with VMP.

In late September, VMP threw its doors open again, announcing their rebirth by sending me a record. Inside the box was a newsletter formatted like a newspaper, with the VMP tagline “The Best Damn Record Club” featured prominently. On p.3, in huge red letters, it said “VMP IS NOW OFFLINE.” Below that was a brief note led off by the words “Signing Off.”

Farther down, also in huge red characters, was the phrase “F*CK THE INTERNET” (with a U instead of an asterisk), a phone number, and the phrase “TEXT ‘VMP’ TO START.”

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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