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This bumbling art thief manages to capture attention
Los Angeles Times
|October 20, 2025
Josh O’Connor excels in Kelly Reichardt’s sly, gently mocking ‘The Mastermind.’
JOSH O'CONNOR portrays a middle-class 1970 suburbanite who finds that stashing stolen works of art is harder than pilfering them in “The Mastermind.”
(Festival de Cannes)
Kelly Reichardt’s watchful cinema is one of the indie world’s most exquisite bounties, a space for pioneers (“Meek’s Cutoff,” “First Cow”), artists (“Showing Up”) and wanderers (“Old Joy,” “Wendy and Lucy”) who command your attention the way an ER waiting room does, lingering tensely.
This story is from the October 20, 2025 edition of Los Angeles Times.
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