Trash is treasure for sculptor-jewelry maker

Alicia Piller's works have been in L.A. museums. Wearables showcase joy of art.

- BY LEIGH-ANN JACKSON

JULIANA YAMADA Los Angeles Times

MIXED-MEDIA artist Alicia Piller in her Inglewood studio. From her diverse materials come intricate, ornate, one-of-a-kind jewelry, as well as tall sculptures.

"Oooh, look at this trash!

Alicia Piller was giddily flitting around her Inglewood live-work studio holding up resin-coated balls of detritus, showing off tiny fossil fragments, and pulling out plastic trays filled with random thingamajigs that had been organized by color.

The assortment is all part of her eclectic jewelry-making arsenal. She clusters recycled textiles, found items, donated castoffs and gemstones to create handmade wearable art that she describes as “science bohemian.”

Piller juxtaposes opals, garnets and pearls with less conventional materials such as tile fragments, snakeskin, bits of lava from a trip to Iceland, and bullet casings, all bound together with strips of leather or vinyl. Lately, she’s been working with 3D printed waste that her friends, a pair of costume-based performance artists, started delivering to her in giant garbage bags.

“I am always thinking about some aspect of recycling,” she said, “seeing the value in these things that we deem ‘trash.’”

One wall of her studio is lined with metal racks stacked with bins and boxes labeled “clay,” “metal” and “scraps.” The room is cluttered, yet curated.

“There’s a little bit of hoarding mentality,” Piller said and laughed, “but I use it!”

From her “controlled chaos” come intricate, ornate, one-of-a-kind necklaces, earrings, brooches and rings. While Etsy is her main retail hub, she previously sold her wearables at L.A’s Craft Contemporary museum and the Houston Center for Contemporary Craft. She’s also provided flair for the likes of Phylicia Rashad, Jill Scott and Ciara.