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'I have always felt that art can change the world, and I make art to prove it.'
Issue 249 - March 2025
|Frieze
Interview: Gregg Bordowitz discusses his exhibition at The Brick, Los Angeles, the challenges of survivor's guilt and how art can build communities around shared experiences Interview by Jeremy Lybarger

JEREMY LYBARGER What should people expect to see at The Brick?
GREGG BORDOWITZ 'This Is Not a Love Song' is centred around the third instalment of a film trilogy that I started making in the early 1990s. The first two were Fast Trip, Long Drop [1993] and Habit [2001]. The last film, Before and After (Still in Progress) [2023], is a kind of anthology of performance works I made that directly relate to the two earlier films. Fast Trip, Long Drop was an experimental documentary about me a Jewish, queer man living with HIV at the height of the AIDS epidemic-which also featured lots of fictional elements and employed many strategies found in poetry; it has a very collage aesthetic. It was almost a decade before I made the sequel, Habit, and, although I always wanted to make a third film, it took me even longer to arrive at Before and After.
Before and After was hard to make, but it wasn't the hardest. I was very, very sick in 1993 and Fast Trip, Long Drop was really about that period where my friends were dying and I didn't really know my own future.

This story is from the Issue 249 - March 2025 edition of Frieze.
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