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'I have always felt that art can change the world, and I make art to prove it.'

Issue 249 - March 2025

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Frieze

Interview: Gregg Bordowitz discusses his exhibition at The Brick, Los Angeles, the challenges of survivor's guilt and how art can build communities around shared experiences Interview by Jeremy Lybarger

-┬аJeremy Lybarger

'I have always felt that art can change the world, and I make art to prove it.'

JEREMY LYBARGER What should people expect to see at The Brick?

GREGG BORDOWITZ 'This Is Not a Love Song' is centred around the third instalment of a film trilogy that I started making in the early 1990s. The first two were Fast Trip, Long Drop [1993] and Habit [2001]. The last film, Before and After (Still in Progress) [2023], is a kind of anthology of performance works I made that directly relate to the two earlier films. Fast Trip, Long Drop was an experimental documentary about me a Jewish, queer man living with HIV at the height of the AIDS epidemic-which also featured lots of fictional elements and employed many strategies found in poetry; it has a very collage aesthetic. It was almost a decade before I made the sequel, Habit, and, although I always wanted to make a third film, it took me even longer to arrive at Before and After.

Before and After was hard to make, but it wasn't the hardest. I was very, very sick in 1993 and Fast Trip, Long Drop was really about that period where my friends were dying and I didn't really know my own future.

imageHabit was filmed after protease inhibitors - a new set of medications that helped stop the virus from replicating-were approved for use in the US in 1996. I was fortunate enough to be able to get access, unlike some of my friends who did not make it. But, for some of us, it saved our lives. Habit developed from my concern about the unequal distribution of these drugs around the world, which is what took me to Durban, South Africa in 2000, for the 13th International AIDS Conference. So, Habit was about me and my friends encountering South African activists, such as the filmmaker Zackie Achmat, who were leading the fight for gaining access to high-quality drugs at a cheaper price.

Frieze

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Frieze рд╕реЗ рдФрд░ рдХрд╣рд╛рдирд┐рдпрд╛рдБ

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Frieze

JR Perrotin, London, UK

In 2017, the French street artist JR staged a giant installation at the US-Mexico border wall, with guests enjoying a meal on either side.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Leah Ke Yi Zheng

In тАШMachine(s)тАЩ, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

time to read

2 mins

Issue 252 - June, July, August 2025

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Frieze

Caught in a Landslide

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

time to read

2 mins

Issue 252 - June, July, August 2025

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Typologien

In the age of AI deep fakes and disinformation, dissecting the context and influence of image production is more important than ever.

time to read

2 mins

Issue 252 - June, July, August 2025

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Frieze

C'est Marseille, b├йb├й

Dossier: Four love letters to Marseille тАУ penned by curators and writers тАУ celebrate the cultural and political spirit of FranceтАЩs second city

time to read

11 mins

Issue 252 - June, July, August 2025

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Frieze

Banu Cenneto─Яlu

In тАШBEING SAFE IS SCARYтАЩ, Turkish artist Banu Cenneto─Яlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

time to read

2 mins

Issue 252 - June, July, August 2025

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They Began to Talk

Against the background of an endless vibra-tion, birds chirp as trains rumble by.

time to read

2 mins

Issue 252 - June, July, August 2025

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In Our Own Backyard

тАШHow many feminists do you need to change an electric bulb?тАЩ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Lawrence Abu Hamdan

Profile: From drone strikes to wind turbines, the artist's latest works examine the weaponization of noise and the politics of listening

time to read

9 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Il├к Sartuzi

During my visit to Il├к SartuziтАЩs current exhibition, тАШTrickтАЩ, at Museu de Arte Contempor├вnea in S├гo Paulo, an alarm went off, blaring for what felt like an eternity.

time to read

2 mins

Issue 252 - June, July, August 2025

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