Turkey: Winds of Change\' is dedicated to the contemporary art and culture of the Republic of Turkey. Featuring Turkey\'s new generation art, music, dance, theatre, photography, cinema and a travel story that unfurls insights into people and places.

“Identity”, begins with the existential question “Who am I?” and then, in the larger scheme of things, “Does it matter?”. The latter query can take you into meditations on the brevity of life, as well as the necessity of coexistence. For over twenty-two years and forty-five volumes, Gallerie has been encouraging  understanding and appreciation of cultural diversity, in its conviction that culture humanises; in its belief that peaceful coexistence can repair and redeem this fractured world. 

It takes a while to learn and experience the strength and joy in engaging with transformational ideas; ideas that are seeded from conviction and a belief guided by a larger truth. Such work, even if incubating in the quietude of one’s thoughts, soon emerge as a fragrant mulled wine to be shared and savoured; or as a powerful voice that can resonate and touch people’s lives, often into leaping out of comfort zones into a collective cause.
These are voices that need to be heard. Gut-level, dissenting voices that speak for the people, for their awareness of and upliftment from the flagrant violence and injustices on human rights. These are voices from diverse corners of the world; from people practicing a diversity of disciplines that are passionate compulsions in their lives.

The essence of Thailand’s people clearly resonate in the Wild Boars —— twelve boys and their young soccer assistant coach, Ekkapol [Ake] Chantawong, a former monk, who were all trapped in the perilous Tham Luang caves in the Chiang Rai region of Thailand. Their stoic forbearance, immense strength and resilience are indeed, to be saluted and respected. Rescued after over two weeks of uncertain and tortuous days by a selfless team of brave divers, the feat was the  “making possible” of a mission impossible. It reaffirmed faith in humankind.

What we have learned and shared with our readers is the rich heritage of each country, the cultural uniqueness of its people and their innate desire for an equitable and peacefulworld. Most humans yearn for peace of mind besides the instincts for survival, but there are those who lust for more. This lusting for more is our bane. More land, more wealth, more power has lead to more violence, more wars, more misery and a world besieged with more regression and decadence. 
Resistance is the only positive direction to be taken in this era of unabated violence and destruction. Resist and overpower in peace and with love.

As each day counts, each breath we take must be a resolve to turn things around. Each one of us must shed prejudices driven by the notions of nation, territory, religion, race, caste and multiple dogmas. Once these divisive
factors are erased, a life-affirmative chapter will open. It can be done.

In the HOPE volume, being positive in the escalation of disquieting times is not to white-wash the blood stains
of our Kakfaesque existence, but to question and seek the antecedent for the prevailing anarchy... being positive is an
act of not offering our lives to the whims of faith and fate, but in nailing our apathy in resisting the authors of our contemporary ‘Inferno'.

A quick look at what has been recorded of Homo sapiens originated around 200,000 years ago, as fossils found at Omo Kibish in Ethiopia, verify that we have migrated through many moons and seasons, through wars, destruction, rehabilitation, and reinvention.
Such cruel irony then, that a civilisation having evolved from the earliest migrants in Africa, some 60,000 years ago, have “black”-listed their progenitors in our race-ridden world. The migration was believed to have been propelled by climate change.

‘New York, New York: A Confluence of Cultures’ celebrates diversity and the many forms of creative excellence that has emerged from it. Impossible to cover its immense span and depth, we bring to you a few of the fine minds that charge the city. Enjoy their work, know the city through them and embrace the quilt of cultures.

On my first visit to Taiwan in 2014, at the invitation of dear friends, I was delighted with the land and its people who squashed all stereotypical views I’d heard, of it being a bland economic power, an industrial island of factories and smoke. Taiwan, in 35 years since the 80s, has in fact, evolved into a region of not just self-reliant prosperity but that of clean air, impeccably pristine and aesthetic public spaces, organised streets, a delightful array of cuisine and a marvelously efficient high speed railway system. Above all, Taiwan’s people are gentle and gracious…..Editor

Contemporary art, performing arts, poetry, essays, photoessays and cinema reflect history's impact on the creative people of Poland
This issue is a mirror to their world.

Gallerie's 34th issue is 'Nepal.Living with Buddha'.
Known for its pristine beauty and gentle people, Nepal has also some of the toughest warriors of the world: The Gurkhas. Nepal's is an intriguing history, fraught with wars, succeeding kingdoms, Buddhism and bloodshed, darkness and light.
To understand Nepal, one has to navigate several centuries.

Gallerie’s 33rd volume, \'Italy. Another View\' is dedicated to the contemporary art and culture of Italy. With a fascinating history since the Roman Empire, it is a hive of tourist interest. Going beyond the prescribed tourist’s trail. Gallerie will be featuring Italy’s new generation arts, theatre, music, dance, photography and cinema and a travel story that will unfold insights into its people and places. This special Gallerie volume will be a document of current times.

In our continued commitment to encouraging knowledge and appreciation of global cultural diversity, and in the belief that it is culture that ultimately humanizes,we are pleased to announce International Gallerie’s 32nd volume, “Kerala Reflections”, dedicated entirely to contemporary culture in Kerala. This issue presents Kerala beyond the popular advertising line, “God’s Own Country” to define a holistic and comprehensive perspective of its socio-political and cultural fabric through the arts. Kerala’s rich layers of contemporary visual and performing arts, photography, cinema and literature is chronicled by leading writers, poets, artists,photographers and filmmakers. 
An insightful travel story urges readers to visit and experience Kerala as never-before experienced.

Gallerie magazine continues its spectacular journey, inwards into India and outwards to the world. Encouraging knowledge and understanding  of global cultural diversity through the arts and ideas.
Gallerie’s 31st issue brings to you a nation out of obscurity, a nation about to leapfrog into the 21st century: Myanmar.
It’s a time of exponential change in Myanmar at both cultural, economic and developmental levels.
It’s an opportunity for you to discover it before the rest of the world does – as a traveler, a lover of arts and ideas, as an industrialist-businessman.

This issue, our 15th anniversary issue is a testament to the bewildering city of Bombay..Mumbai..call it what you will. We salute our city for all the right reasons & the wrong ones are duly critiqued in this issue.

Tagore Moments - Tagore Lost & Found, Killing Him softly with our Love - Abhijit Dasgupta, One half woman & One half Dream, Brink of Eternity...

Vol. 22, No. 2, 2019, 'IDENTITY'

Vol. 22, No. 1, 2019, 'PHILIPPINES'

Vol.21, No.2, 2018, VOICES

Vol.21, No.1, 2018, THAILAND

Vol.20, No.2, 2017, RESIST

Vol. 20, No.1, 2017, PEACE

Vol. 19 No.2, 2016-17, HOPE

Volume 19 No.1, 2016, MIGRATION

Volume 18 No. 2, 2015, 'New York

Volume 18 No. 1, 2015. Taiwan

Volume  17 No. 2,2014

Volume 17 No.01, 2014

Volume 16 No.2, 2013

Vol.16 No.1 2013

Vol.15 No.2

Jul.'12.v15n1

A Journey of Ideas
Gallerie is a celebration of life.
As a tribute to the creative excellence of the world, it features painters, sculptors,crafts-people,
writers, poets, photographers, designers, film-makers, and performing artists, humanists.
It covers lives and cultures in India and around the world with a socio-political-human
interest perspective. While it represents India abroad, it carries international stories for India.
Gallerie is a sharing of ideas, inspiring and uplifting. Features have informative, in-depth stories
treated in a lucid, reader-friendly style accompanied by high quality pictures.
In a generous 10"x13" format of approximately 130 pages, the layout is designed to create an
oasis of calm amid the cacophony on magazine stands today. It is processed, printed and
published in India with international quality production values.
A bi-annual, thirty two issues and eight-awards-old, Gallerie is steadily reaching a
large readership in India and worldwide. Museums, galleries and educational institutions
are among others who subscribe to the magazine. In India, readership is not only with the
discerning decision-maker, but also with a wide spectrum of art and literary enthusiasts.
Overseas, a loyal subscription list is growing with institutions and individuals. Readership
includes the Harvard University, Victoria University, the Freer & Sackler Galleries,
Smithsonian Institution, the Metropolitan Museum, NY, the MOMA, NY,
the New York Public Library, the MOMA, San Francisco, the Asia Museum San Francisco,
the Asia Society, NY, the Tate Gallery, London, the Hayward Gallery, London.
The response has indeed, been encouraging. Today, Gallerie is a collectible, a journal
that readers value and associate with excellence.

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