Art Soul Life - Feb - April 2018
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In this issue
THE GOLDEN COUPLE - Individually, each is a force to be reckoned with. Together, Arpita and Paramjit Singh are one of the most-celebrated art couples in the country.
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Wall Of Fame
Street artist Ranjit Dahiya tells Runa Ashish how he combined a love of art and Bollywood into a mission to celebrate Mumbai as the home of Indian cinema by creating murals based on classic films and stars.
Tryst With Traditional Woodcrafts
The legendary carpenters from Haryana’s Khati community transformed basic material into highly decorative, aesthetic and outranking pieces of art.
The Golden Couple
Individually, each is a force to be reckoned with. Together, Arpita and Paramjit singh are one of the most-celebrated art couples in the country.
Strings Of Melody
Veena virtuoso Ananthapadmanabhan and his art are a testimony to the grand musical heritage of India, values, principles and charm of an era gone by.
Strings Attached
The traditional art form of puppetry, or Kathputli naach, is making a comeback in Bengal, thanks to the artists adopting modern means to infuse a new life into the age-old art.
Murals Matter
Once she realised that the dance form blended well with traditional Kerala murals, Mohiniattam dancer Kalamandalam Bindhulekha was quick to discover her fancy for the medium.
Message Packs The Punch
Women sculptors might be less in number but their message is chillingly attention-drawing and depicts the real life environment as they force us to look within and suffer pangs of guilt.
Hidden Heritage
An archaeological treasure, the naturally carved rocks with primitive cave paintings dating back to approximately 30,000 years make Bhimbetka an awe-inspiring history tale told entirely in pictures.
Building A Legacy Of Great Art
The prolific Devi Prosad Roy Chowdhury enriched various areas of art through his paintings, sculptures and writings and his excellent draughtsmanship will forever remain a great example for the new generations of sculptors.
Behind The Mask
A small Bengal village caters to the need for the spectacularly large masks involved in the Chhau folk dance form, but the assault of modernity has made its future uncertain, says Jimmy Arora
