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BlackFlash Magazine - 42.2 - Domestic

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BlackFlash Magazine

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In this issue

EDITORIAL NOTE: Domestic Crisis Madeline Bogoch, Editor
ARTIST PROFILE: The Queer is in the Details: Douglas Watt’s Material Theatricality Christopher Lacroix
ARTIST PROFILE: Ella Gonzales: Memory’s Architecture Trey Le
ARTIST PROJECT: Always About Land Farihah Aliyah Shah
CONVERSATION: Cheyenne Rain LeGrande ᑭᒥᐘᐣ On being a Nehiyaw Alien Nawang Tsomo Kinkar
RESPONSE: Slow Burn: On the 37th Annual Images Festival Madeline Bogoch
CONVERSATION: Beyond the Black Box: Darsha Hewitt on Media Archaeology and Technological Intimacy Greg J. Smith
CONVERSATION: In the Middle Distance: An Interview with Artist Ayla Dmyterko Maegan Beck
ARTIST PROJECT: Holes Holding Whole; Idle Time Erica Stocking, Amanda Boulos and Ella Dawn McGeough

BlackFlash Magazine Description:

BlackFlash Magazine is a platform for contemporary visual art.

BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).

BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.

BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.

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