Rothenburg is reputed to be the best-preserved mediæval town in Germany and has two museums. The first is a Christmas museum dedicated to all things festive; the second is the Mittelalterliche Kriminalmuseum, or Mediæval Crime Museum. You can guess which one I ended up visiting.
The museum is substantial, with an extensive collection housed in two buildings – St John’s Commandery and St John’s Barn. Many of the objects on display are concerned with inflicting pain and suffering on people. There are two ways to approach artefacts of this sort. The first is to present them as schlock horror, with mannequins displayed in various states of agony. While this adds some human context to a rack or thumbscrews, the end result can resemble a carnival ghost train rather than offer any gain in empathy and understanding. The second approach is the one taken here, where artefacts are presented in museum cases without any depiction of their use beyond original mediæval illustrations. The danger with this is that the objects can become abstracted from their original horrific purpose; yet, most people have sufficient imagination to understand the devastating impact of an object like a choke pear on the human body.
One of the strengths of the Rothenburg Museum’s presentation is the way it contextualises the use of torture within the law of the time by displaying the texts employed to justify it. For example the Zeugenprotokoll (Protocol of Witness) stated that testimony from a single witness was not enough for a conviction, but sufficient to allow torture to be used. To secure a conviction, identical testimonies from two witnesses, or a single testimony and a confession were necessary.
This story is from the November 2019 edition of Fortean Times.
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This story is from the November 2019 edition of Fortean Times.
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