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The New Yorker
|November 27, 2023
Barbra Streisand writes the mother of all memoirs.

Seventy years ago, before she was galactically famous, before she dropped an “a” from her first name, before she was a Broadway ingénue, before her nose bump was aspirational, before she changed the way people hear the word “butter,” before she was a macher or a mogul or a decorated matron of the arts, Barbra Streisand was, by her own admission, “very annoying to be around.” She was born impatient and convinced of her potential—the basic ingredients of celebrity, and of an exquisitely obnoxious child. When Streisand was growing up in Brooklyn, in the nineteen-forties, she used to crawl onto the fire escape of her shabby apartment building and conduct philosophical debates with her best friend, Rosyln Arenstein, who was a staunch atheist. One day, Streisand told Arenstein that she was going to prove the existence of God. She pointed at a man on the street and said that, if she prayed hard enough, he would step off the curb. Within seconds, he obliged. “I had two thoughts at that moment,” Streisand writes in her hulking new memoir, “My Name Is Barbra” (Viking). “One: Whew, that was lucky! And two: There is a God, and I just got Him to do what I wanted by praying. I guess that’s when I began to believe in the power of the will.”
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