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Tom Hardwick-Allan

The works in Tom Hardwick-Allan’s current exhibition at South Parade are exact reflections of its title, ‘Low Relief and Foil’: a foil is both the trail that a hunted animal leaves as it passes through its environment and a plot device by which a character is defined by its inverse.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Banu Cennetoğlu

In ‘BEING SAFE IS SCARY’, Turkish artist Banu Cennetoğlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Island Treasures

Remapping: Renato Leotta's artwork places Sicily in the crosshairs of antiquity and nature

3 min  |

Issue 252 - June, July, August 2025
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Frieze

Alchemies of Place

Remapping: Nour Jaouda's textiles deconstruct slippery notions of home and belonging

3 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Laura Owens

Amid the visual overwhelm on display in Laura Owens’s eponymous exhibition, which spans two of Matthew Marks Gallery’s Manhattan spaces, an abiding image is the candy cigarette.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Patty Chang

BANK NYC, New York, USA

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Sophie Calle

At Fraenkel Gallery in San Francisco, the French photographer and conceptual artist Sophie Calle presents an assortment of projects deferred or abandoned over the course of her 40-year career.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Berlinde De Bruyckere

A few months ago at a gallery dinner, I asked a German collector about the last work of art that had wowed him.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Jack Whitten

Museum of Modern Art, New York, USA

5 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Sadao Hasegawa

A naked, muscled youth appears to rocket into space in Sadao Hasegawa’s That Floating Feeling (1980). His body throbs magenta, while his face - impassive as a mask - is crowned by flamelike hair. Both human and ethereal, he exhales a stream of starry breath, while the tips of his fingers sparkle: flesh becoming cosmic.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Arpita Singh

A cluster of small, lemon-yellow islands - each shaped exactly like Cuba - hovers in a milky body of water.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Against Despair

How Istanbul's contemporary artists have created pockets of resistance in the heart of the city

6 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Postcard from Monaco

Out of Office: Ivana Cholakova spins the wheel of chance

1 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

In Our Own Backyard

‘How many feminists do you need to change an electric bulb?’ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Leah Ke Yi Zheng

In ‘Machine(s)’, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

2 min  |

Issue 252 - June, July, August 2025
Frieze

Frieze

Skin of the Real

Exploring dreams and reality in the art of Kaari Upson, on the occasion of her first retrospective at the Louisiana Museum of Modern Art

6 min  |

Issue 251 - May 2025
Frieze

Frieze

Radical Software: Women, Art & Computing, 1960-91

Large panels filled with pages of zestfully handwritten notations set the tone for 'Radical Software: Women, Art & Computing, 1960-91' at Kunsthalle Wien.

5 min  |

Issue 251 - May 2025
Frieze

Frieze

Postcard from New York

Out of Office: Art criticism hits the dancefloor

1 min  |

Issue 251 - May 2025
Frieze

Frieze

Carl Cheng

On the last March weekend of 1988, visitors to Santa Monica State Beach witnessed something peculiar: a 14-tonne concrete roller, Carl Cheng's Santa Monica Art Tool (1988), embossing the sand with an aerial view of a Los Angeles-inspired metropolis.

2 min  |

Issue 251 - May 2025
Frieze

Frieze

Leave It on the Mountain

Afterlife: For Vivian Suter, exposure to the elements is part of her practice nterview by Lauren O’Neill-Butler

5 min  |

Issue 251 - May 2025
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Frieze

The Remains of Time

Afterlife: Rosa Barba's ecological cinema comes off the screen

4 min  |

Issue 251 - May 2025
Frieze

Frieze

Foreverise

Afterlife: The past lives on in Rafal Zajko’s dynamic, campy sculptures as fold to Sean Burns

3 min  |

Issue 251 - May 2025
Frieze

Frieze

Three Galleries to Watch in New York

Dossier: The next wave of the city’s art world is taking shape in spaces that champion risk-taking and new voices. We profile three galleries, Francis Irv, Soft Network, and KAJE, to look out for as they redefine the scene

10 min  |

Issue 251 - May 2025
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Frieze

New World Coming

Afterlife: Realizing Essex Hemphill's poetry of collective liberation

3 min  |

Issue 251 - May 2025
Frieze

Frieze

Mortal Concerns ANSLATION Of Dante

Afterlife: How Tammy Nguyen brought Dante into the 21st century

3 min  |

Issue 251 - May 2025
Frieze

Frieze

Don't Mind if It Smokes

Essay: Novelist and poet Gertrude Stein, a champion of avant-garde practices in her lifetime, continues to inspire contemporary artists and writers

9 min  |

Issue 251 - May 2025
Frieze

Frieze

LOTUS L.KANG

Profile: At 52 Walker, the artist expands her sculptural grammar, exploring diasporic time, material transformation and the body as a site of flux

8 min  |

Issue 251 - May 2025
Frieze

Frieze

Shilpa Gupta

In his treatise on literature’s relationship to loss and the limits of representation, The Writing of the Disaster (1980), Maurice Blanchot suggests that ‘[w]hoever writes is exiled from writing, which is the country ~ his own - where he is not a prophet’.

2 min  |

Issue 251 - May 2025
Frieze

Frieze

Spirit World

One Take: On the occasion of Noah Davis's forthcoming exhibition at the Hammer Museum, Los Angeles, Christopher Alessandrini looks at his 2010 work The Future's Future

2 min  |

Issue 251 - May 2025
Frieze

Frieze

'You were following me and I was following you,but neither of us knew where we were going!'

Conversation: Ahead of her solo exhibition at K21 in Düsseldorf, Julie Mehretu speaks with her longtime friend and collaborator Nairy Baghramian about their shared thinking around space and abstraction, and how art becomes a language for survival

9 min  |

Issue 251 - May 2025