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Tom Hardwick-Allan

Issue 252 - June, July, August 2025

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Frieze

The works in Tom Hardwick-Allan’s current exhibition at South Parade are exact reflections of its title, ‘Low Relief and Foil’: a foil is both the trail that a hunted animal leaves as it passes through its environment and a plot device by which a character is defined by its inverse.

- Hatty Nestor

Tom Hardwick-Allan

The show comprises several new cast-iron reliefs, made by pressing carved wood into petrol-rich sand — a method called imprinting — before pouring melted-down car brake discs into this mould. During the period in which the artist made these works, his father and grandmother were injured when they were hit by a car that failed to brake. This intersection of family, coincidence and materiality reappear throughout the exhibition, lending a sense of haunting to the works on display.

FLERE HISTORIER FRA Frieze

Frieze

Frieze

JR Perrotin, London, UK

In 2017, the French street artist JR staged a giant installation at the US-Mexico border wall, with guests enjoying a meal on either side.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Leah Ke Yi Zheng

In ‘Machine(s)’, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Caught in a Landslide

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Typologien

In the age of AI deep fakes and disinformation, dissecting the context and influence of image production is more important than ever.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

C'est Marseille, bébé

Dossier: Four love letters to Marseille – penned by curators and writers – celebrate the cultural and political spirit of France’s second city

time to read

11 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Banu Cennetoğlu

In ‘BEING SAFE IS SCARY’, Turkish artist Banu Cennetoğlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

They Began to Talk

Against the background of an endless vibra-tion, birds chirp as trains rumble by.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

In Our Own Backyard

‘How many feminists do you need to change an electric bulb?’ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Lawrence Abu Hamdan

Profile: From drone strikes to wind turbines, the artist's latest works examine the weaponization of noise and the politics of listening

time to read

9 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Ilê Sartuzi

During my visit to Ilê Sartuzi’s current exhibition, ‘Trick’, at Museu de Arte Contemporânea in São Paulo, an alarm went off, blaring for what felt like an eternity.

time to read

2 mins

Issue 252 - June, July, August 2025

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