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2020@E3

Edge

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September 2019

Developer/publisher Square Enix Format PS4 Release March 3

2020@E3

Final Fantasy VII Remake

When you rework one of the most influential games of all time, there’s a range of expectations, all of which are so far through the roof they’re practically in orbit. To hold the attention of a contemporary audience, Final Fantasy VII needs more than a facelift. Equally, when you’re revisiting the source of a generation’s love of videogames, you have to tread carefully. And yet, here we are: breathless, mid-clash, suspended between the past and the present.

Indeed, it’s a particular kind of suspension – Cloud’s Buster sword slicing through the air in super-slow-motion as sparks graze his perfectly rendered cheek – that is key. Final Fantasy VII Remake’s combat system comprises two separate modes. The first is action mode: we hammer buttons to hack at a Scorpion Sentinel and fill our ATB gauge, dodge blows, or switch between and reposition characters. Then there’s tactical mode: when our ATB gauge is ready, we can slow downtime.

In this state, we scroll through a menu that recalls the original game’s turn-based interface – and have time to think. It frees up some mental space to assess a fight, and decide which limit break attacks or spells to spend meter on. It’s a wonderful callback with a modern twist. Despite the change in pace, the pulse of the action doesn’t slow, Nobuo Uematsu’s orchestral theme thundering in our ears. We unleash a barrage of slashes on one leg until we can enter tactical mode, then switch to gunslinging heavy Barret – positioned at the Scorpion Sentinel’s rear – and cast a Thunder spell. It hits the enemy’s elemental weakness and staggers it.

FLERE HISTORIER FRA Edge

Edge UK

Edge UK

Hollow Knight: Silksong

Hornet has fallen. Silksong’s opening cutscene reintroduces our heroine in captivity, being dragged away from Hallownest, where once she served the role of Hollow Knight’s most fearsome recurring boss.

time to read

6 mins

December 2025

Edge UK

Edge UK

Gears Of War: Reloaded

Something may be lost in the translation between the original 2006 version of Gears Of War and the considerably prettier, brighter and more sharply textured Reloaded. A solemn, grimy place, where endless battles over scarce resources have resulted only in ever-larger piles of corpses, the world of Gears is perhaps most suitably rendered via the fuzzier, grey-brown colour palette of the first Xbox 360 release. Especially for Marcus Fenix and co, war is hell. You might argue that it ought to look like it.

time to read

1 mins

December 2025

Edge UK

Post Script

Silksong turns up the volume on some of Hollow Knight's finest ideas

time to read

4 mins

December 2025

Edge UK

Edge UK

Post Script

Ezo was not yet part of Japan in 1603, when Ghost Of Yotei's story takes place, which feels an appropriate analogue for Sucker Punch acknowledging itself as a nonJapanese studio making a culturally Japanese game.

time to read

2 mins

December 2025

Edge UK

Edge UK

MIO: MEMORIES IN ORBIT

Can tentacles and angry doors distinguish this Metroidvania?

time to read

3 mins

December 2025

Edge UK

Edge UK

BLENDO GAMES

The one calm voice amid this fracas, he says, was that of Embark's owner. “Nexon were the ones saying, ‘Relax. Here's why this is happening, and here's what you need to do about it'.” The Korean gaming giant has form here: its 1999 title

time to read

7 mins

December 2025

Edge UK

Edge UK

LEGO BATMAN: LEGACY OF THE DARK KNIGHT

With Lego's parody treatment, everyone in Gotham is a joker

time to read

3 mins

December 2025

Edge UK

Edge UK

CINDER CITY

Only collective effort can save this futuristic Seoul

time to read

5 mins

December 2025

Edge UK

Edge UK

AGENT OF CHANGE

From 47 to 007: IO Interactive is bringing James Bond back to life

time to read

16 mins

December 2025

Edge UK

Edge UK

BLUE PRINCE

How Hollywood dreams and boardgames led to 2025's most fascinating puzzle box

time to read

8 mins

December 2025

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