In December 1999, Naomi Harris turned down a job offer, left her apartment in New York, and checked into the Haddon Hall Hotel, in Miami Beach. She was 26. She wanted to be a photographer.
The hotel was a year-round home for some and a seasonal residence for others—snowbirds, mostly in their 80s and 90s, who came down from New England or Canada and stayed all winter. They didn’t have a lot of money, and they didn’t go there for luxury. Their days were spent together: eating, dancing, flirting, playing bingo. They welcomed Harris, allowing her to photograph intimate moments of joy and vulnerability.
この記事は The Atlantic の December 2021 版に掲載されています。
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この記事は The Atlantic の December 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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