Famous for Being Not Famous
New York magazine|July 3 - 16, 2023
Liz Kingsman's One Woman Show is a monologue about writing a monologue to chase celebrity. It's working.
JACKSON MCHENRY
Famous for Being Not Famous

ONE WOMAN SHOW is at Greenwich House Theater through August 11.

"I FIND IT ALL So embarrassing," Liz Kingsman says about the triumph of her one-woman show, One Woman Show, which is fitting because the piece itself is built around the tensions of self-aggrandizement and self-deprecation. The Australian-born Londoner plays a fame-chasing character who has decided to deploy the formula of Fleabag and stages a monologue called Wildfowl about a sex-crazed, over-the-top "relatable" woman who works a quirky job at a wetlands trust and hits rock bottom. One Woman Show has, in fact, made Kingsman successful: It got noticed at a London festival, was acclaimed in the West End, toured in Australia, and has now arrived in New York (with a few edits).

Your character in the show really wants to be famous, and now she's made it to New York. Does actual fame change the show?

In a way, the play only really made sense in the first room it was performed in, which was this festival in a damp place under the railway station. But I think I can still buy that this woman is never going to be satisfied, so I can always find a way for her to be unhappy about the place she's in.

Did you see a lot of one-woman shows as research?

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