ONE WOMAN SHOW is at Greenwich House Theater through August 11.
"I FIND IT ALL So embarrassing," Liz Kingsman says about the triumph of her one-woman show, One Woman Show, which is fitting because the piece itself is built around the tensions of self-aggrandizement and self-deprecation. The Australian-born Londoner plays a fame-chasing character who has decided to deploy the formula of Fleabag and stages a monologue called Wildfowl about a sex-crazed, over-the-top "relatable" woman who works a quirky job at a wetlands trust and hits rock bottom. One Woman Show has, in fact, made Kingsman successful: It got noticed at a London festival, was acclaimed in the West End, toured in Australia, and has now arrived in New York (with a few edits).
Your character in the show really wants to be famous, and now she's made it to New York. Does actual fame change the show?
In a way, the play only really made sense in the first room it was performed in, which was this festival in a damp place under the railway station. But I think I can still buy that this woman is never going to be satisfied, so I can always find a way for her to be unhappy about the place she's in.
Did you see a lot of one-woman shows as research?
هذه القصة مأخوذة من طبعة July 3 - 16, 2023 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 3 - 16, 2023 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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