Factory Finish

Architect Mia Buzzi used unusual textures and bespoke design when she converted a derelict industrial unit into a warm and welcoming home

..AND THE LEGACY LIVES ON

Sanchit Arora trains his young eyes towards creating an architectural identity through fantastical concepts. We chart how the architect has propelled the trajectory of RENESA, the studio founded by his father Sanjay Arora, towards being touted as one of the leading avant-garde design firms in the country

in Balance

Design has always been our first love. It is a vital part of our existence and the fundamental reason we get along

BUILDING SPATIAL DIALOGUES

In conversation with the powerhouse duo Lijo Jos and Reny Lijo, who dare to break away from accepted design norms and introduce new ideas, forging a path for themselves in the field of architecture

AN EXPERIMENT IN THE MAKING

Birju Shah, Pooja Shah and Dhaara Shah converge to form Studio-in-Dtale, an Ahmedabad-based design atelier that crafts, creates and pushes the boundaries when it comes to AvantGarde design

GROWING INTO HIS OWN

An artist in the broad sense of the word, Ali Baldiwala is a sum of many creative pursuits. From the complex design work he undertakes to the intricate collaborations he spearheads, the interiors designer is at the forefront of heralding a new lexicon in Indian design...one that's inclusive and potent.

THEN AND NOW

Mohammed Afnan and Arun Shekar Gowda take us through the journey that led them to embrace responsible design in their own unique way

THE PANDEMIC CITY

As our cities find their feet again, architect gives us a peek into the outside world, and how it can and should change to make our post-pandemic lives better

A shared passion

In their bid to champion traditional and lesser-known craft forms, Indian arts and artisanal villages, Amrita Guha and Joya Nandurdikar of Untitled Design have recalibrated the essence of 'India Modern' by bringing to the fore the charm of traditional techniques while making them intrinsic to aspirational and luxurious narratives

TO BE YOUR OWN MUSE

Every project by MuseLAB frontrunners Huzefa Rangwala and Jasem Pirani is a deep dive into research and exploration. For this feature, they probe their past, with an unwavering eye on the future

COUPLE of CONTRASTS

The artist, Anand Menon, and the thinker, Shobhan Kothari, are two very distinctive peas in a pod. Their work, their thoughts and most of all, their collaboration is complex, but it works. They tell us how

THE GREEN ARCHITECT

What drew young Benny Kuriakose into the world of design?

UNCONVENTIONALLY MINIMAL

Shivani Ajmera and Disha Bhavsar, the dynamic co-founding duo of Quirk Studio, have forayed their way into the world of interior design with their quirky and unconventional ideas... inspiring many young designers to follow in their footsteps

THE NEW AGE PURIST

with everything veeram Shan does, ne aims to find equilibrium between luxury and earthiness. From architecture to fashion to product and landscape design, his prowess is impressive and innovative. We meet up with one of the future torchbearers of Indian design

THE STORY OF AN INDIAN LEGEND

Canna Patel, Founder and Chairperson, HCP Interior Design, is an institution in herself. Over the years, she has diligently worked to reshape the design narrative, be it with her public architectural designs, commercial outings, or residential projects. Canna is a beacon of inspiration. Here she tells us her story, how she started and down to this point in time when her firm has been appointed as the interior sub-consultants for the Central Vista Project, including the New Parliament Building.

TELLING IT LIKE IT IS

Behind the dramatic overtures and picture-perfect vignettes, there is an incredible amount of work that goes into the realisation of any design. In her most candid conversation yet, designer Iram Sultan lifts the veil on the glamour to reveal the details that make the big picture

Condé Nast Traveller THE LAST WORD IN TRAVEL

In the shadow of the historic Vijayanagara empire, HAMPI ART LABS is a new arts programme brought to life by the JS W Foundation. Designed by A D 100 firm SP+a, it takes design inspiration from the ruins and landscape of Hampi, situated 35 kilometres away. An exhibition centre along with residences for artists, creative studios devoted to various art forms like printmaking and ceramics, a quiet yet communal space for artists to create and explore, Hampi Art Labs is a sanctuary as well as a pivotal step forward for the growing community of art in India. A patron with all her heart in it, Sangita Jindal, Foundation, summarizes her intent: chairperson, JS W had been to Hampi 31 years ago and fell in love with it then. Ever since I have wanted to do something here. And my other lifelong love is art. So I thought, why not bring the two together contribution This is my ongoing to the sea of artistic talent in our country.\"

The Historian

For this summer issue, we admire the quintessential \"cooling\" jali-one of India's great contributions to global architecture and look at a lesser known but magnificent piece from the extraordinary madrasa of Ghaziuddin Khan from the Mughal era.

MAY/JUNE DISCOVERIES

Reuse, repurpose, restore: Here is our dispatch from the world of design and architecture with a spotlight on sustainability. Danish brand Mater taps Patricia Urquiola to craft a line of sleek furniture from waste material. Bottega Veneta's Matthieu Blazy finds inspiration in a classic Le Corbusier design. Mumbai's 165-yearold Afghan Church gets restored to its original glory. Enjoy this summer issue.

WHEN WAS MODERNISM?

WITH A TITLE REFERENCING A BOOK BY HISTORIAN HOME IN GEETA KAPUR, THIS MODERNIST AHMEDABAD, BUILT IN THE 1 9 7 0 S AND RESTORED RECENTLY BY AD 1 0 0 ARCHITECT KUNAL SHAH IS A REMINDER OF A CLASSIC DOMESTIC ARCHITECTURE THAT AN ENTIRE IN A GENERATION OF INDIANS GREW UP MODERNISM THAT IS TIMELESS, THAT WE ADAPTED TO SUIT OUR CULTURE, CLIMATE, MATERIALS AND OUR DOMESTIC RITUALS. THIS IS FOUZDAR, A GRANDFATHER'S HOME.

50 YEARS OF MAHENDRA DOSHI

As a child I remember accompanying my parents on their collecting trips. Going to museums, art galleries and furniture warehouses is what we did on Sunday mornings in the 1980s in Bombay. There were no malls and my parents felt guilty leaving us home. We were welcomed into these treasure troves of art and design with equal élan by their humble owners, who were always there on the shop floor. Holiday or not. And that is how one spring morning, I met the doyen of period furniture, Mahendra Doshi. We would spend hours with him in his dusty cavern-like basement, nestled against the Arabian Sea with a view of the entire Queen's Necklace. I remember seeing stars in my father's eyes. He did that when he saw things he liked. My parents may or may not have picked up a piece, but I always took back a story. For amidst those dusty alleys of piled up \"junk\" and heaps of old furniture lay stories of history, homes and heritage. Stories we were regaled with by the gentle giant. He was simply Mahendra bhai to my parents and Mahendra uncle to me.

SAMRAKSHAN INDIA

Architect Ajith Andagere often quotes Mexican poet Octavio Paz: \"To be truly modern, we must first reconcile ourselves with our traditions.\"That central thought is the crux of Andagere's mission. In 2017, he set up Samrakshan India-a not-for-profit focused on documenting India's vernacular architecture, considering the inherent wisdom in vernacular typologies and making them relevant to our modern lives. \"Documentation, conservation, adaptive reuse, and education\"-that's the role that this architect has taken on. AD visits Andagere's studio on the outskirts of Bengaluru as well Shurpali HouseSamrakshan India's first restoration project-a 150-year-old ancestral home close to the Krishna River, in the Bagalkot district of Karnataka, a nine-hour drive from his studio. Andagere took it on, along with his team of architects and craftsmen, and today what we see, post-restoration, is someone's ancestral family home given a new life.

PALINDA KANNANGARA'S

FIRST RESIDENTIAL PROJECT IN INDIA IS A HOME IN BENGALURU DESIGNED WITH HIS SIGNATURE

TERRA PAVILION

IS A STARK STRUCTURE OF EXPOSED CONCRETE AND GLASS, BUILT AS A SUSTAINABLE, RESTFUL SANCTUARY IN A WINDING FORESTED EXPANSE OUTSIDE OF AHMEDABAD, DESIGNED BY KHUSH NU PANTHAKI HOOF AND SÖNKE HOOF OF STUDIO SANGATH.

REDEFINING OUTDOOR LIVING

Nestled in a lush coconut grove with bohemian interiors, the luxury furniture showroom of Bengaluru-based Outdoor Connections exudes a laid-back resort vibe

TEJAL PATNI

Engaging in a free-wheeling chat about the not-so-bizarre world of his rather well-paved journey, Patni gives us a peek into his creative mind and the diverse influences that have shaped his artistic vision, right after the resounding success of his debut show, Vichitra

SIMRAN BOPARAI: Reigning in Opulence

Celebrated for her bespoke, aspirational designs that blend grandeur with cultural heritage, Simran Boparai is the visionary architect sculpting opulent architectural marvels. From lavish residential estates to awe-inspiring commercial spaces, she discusses her neoclassical design philosophy, the pursuit of seamlessly integrating luxury with functionality, and her trailblazing vision for reshaping skylines across the globe

PRIYANK MEHTA

Indulging in the essence of bespoke luxury, Priyank Mehta, the visionary force behind Attitudes, savours every creation like a connoisseur relishing a complex blend of rare spices, rich chocolates, and delicate floral notes.

SUMESSH MENON

Sumessh Menon brings a refined perspective to bespoke luxury, likening it to the smooth, matured notes of a single malt whiskey.

VEERAM SHAH

Veeram Shah delves into the intricate artistry that defines bespoke luxury, drawing parallels between bespoke creations and masterful works of art.