Cannes glory masks India's creative gap

With a rich haul of 32 Lions, this year's Cannes Lions International Festival was India's best outing since 2022

- Gaurav Laghate

India has never looked more confident on the global creative stage. With a rich haul of 32 Lions at this year's Cannes Lions International Festival, including a Grand Prix, nine Golds, nine Silvers, and 13 Bronzes, this was India's best outing since 2022. But behind the celebration lies a more sobering question: while Indian ad agencies are solving real-world problems and building culturally powerful narratives, are we still falling short of creating globally scaled, exportable creative intellectual property (IP)?

The wins spanned newer, impact-led categories such as PR, creative data, social and influencer, creative strategy and brand experience—marking a clear departure from the era when India's strength lay in print or radio.

Among the most celebrated campaigns this year were FCB India's Lucky Yatra, which gamified Indian Railways' unreserved ticketing system to reward underserved travellers; Leo Burnett's Tailor Test, which used neighbourhood tailors to push men toward preventive health check-ups; and Ogilvy's Erase Valentine's Day, which continued 5Star's irreverent tone and won Gold for its culturally subversive social play.

"India's performance at Cannes this year has been nothing short of inspiring, and I think it is the result of a steady evolution and not a sudden breakthrough," said Rana Barua, group chief executive officer, Havas India, SEA and North Asia (Japan and South Korea). "We've been sharpening our strategic thinking while staying rooted in culture and elevating the craft to meet global standards. What's really working in our favour now is our ability to tell stories that are both deeply local but also hold universal relevance."