Try GOLD - Free
Writing Rebellion
Outlook
|March 21, 2025
“Come to think of it, for us, that is, for us Muslims, it is said that, other than Allah above, our pati is God on earth.
-
Suppose there comes a situation where the husband's body is full of sores... It is said that even if the wife uses her tongue to lick these wounds clean, she will still not be able to completely repay the debt she owes him. If he is a drunkard or a womaniser, or if he harasses her for dowry every day— even if all these ‘ifs’ are true, he is still the husband. No matter which religion one belongs to, it is accepted that the wife is the husband's most obedient servant, his bonded labourer.” —Heart Lamp, Banu Mushtaq (translated from Kannada by Deepa Bhasthi)
Banu Mushtaq has always been a ‘critical insider’, rejecting religious conservatism, shattering stereotypes. Her works trace the trajectory of lives lived on the margins and offer readers an insider’s perspective on Muslim women’s struggles and aspirations in Southern India. A native of Hassan, Karnatka, Mushtaq has been ostracised by many in her own community for her ‘outspokenness’. Unfazed, the 76-year-old keeps writing the stories she feels need to be told. Kannada is the language she thinks, writes and dreams in. Though her mother tongue is Dakhni Urdu, she struggled when she was admitted to an Urdu-medium school as a child. When her father, a government employee, was transferred to Shimogga, he enrolled her in a Kannada-medium convent school next to his office. That acceptance was conditional, too. She could stay on only if she learnt to read and write Kannada in six months. Mushtaq was a natural; it only took her days to pick up both skills.
With her short story collection Heart Lamp being longlisted for the International Booker Prize this year, Mushtaq has become the first Kannada writer to be nominated for the prestigious prize. The 2022 winner, Geetanjali Shree’s Ret Samadhi (originally written in Hindi; translated into English by Daisy Rockwell), is the first book in an Indian language to be awarded the International Booker Prize.
This story is from the March 21, 2025 edition of Outlook.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 10,000+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM Outlook
Outlook
The Spectacle of the Woman Accused
Media narratives—especially when women are involved—can end up amplifying suspicion and weaponising gender
7 mins
March 11, 2026
Outlook
The Stink of Epstein
Why are the rich and powerful of the world scared of what lies buried in the Jeffrey Epstein files?
6 mins
March 11, 2026
Outlook
Passing the Watermelon
Narendra Modi's presence in Israel is being read not just as a bilateral engagement, but as an endorsement of Israeli action in Gaza and the West Bank
5 mins
March 11, 2026
Outlook
For Phoolan, Who Wasn't a Devi
“Whether or not it is the Truth is no longer relevant. The point is that it will, (if it hasn’t already) - become the Truth. Phoolan Devi, the woman has ceased to be important. (Yes of course she exists. She has eyes, ears, limbs, hair etc. Even an address now) But she is suffering from a case of Legenditis. She’s only a version of herself. There are other versions of her that are jostling for attention. Particularly Shekhar Kapur’s “Truthful” one, which we are currently being bludgeoned into believing.”–Arundhati Roy in ‘The Great Indian Rape-Trick I’, on the film Bandit Queen by Shekhar Kapur based on Phoolan, whom he never met because he didn’t think he needed to meet her. The film was based on journalist Mala Sen’s book India’s Bandit Queen: The True Story of Phoolan Devi.
5 mins
March 11, 2026
Outlook
The Chic Cartel
Women are not just victims or side characters in recent crime-and-power OTT dramas. They are complex forces-capable of empathy, strategy and ruthlessness-whose narratives demand both recognition and reckoning
5 mins
March 11, 2026
Outlook
The Hierarchy of Sympathy
In crimes against women, justice is shaped not only in courtrooms but in newsrooms where narrative determines whose suffering becomes national conscience and whose fades into procedural silence
5 mins
March 11, 2026
Outlook
Dasyu Sundari
Media accounts simultaneously cast her as victim and avenger, until a life shaped by caste violence and gendered oppression was repackaged into a consumable myth of dishonour and revenge
8 mins
March 11, 2026
Outlook
Prince Pervert
Are rumours of the death of the rule of law vastly exaggerated?
4 mins
March 11, 2026
Outlook
Together, Apart
Poonam Saxena's translations of Mannu Bhandari and Rajendra Yadav's memoirs present a portrait of the trailblazing Hindi writer-couple's marriage and of newly independent India
3 mins
March 11, 2026
Outlook
The Great Indian Rape Trick'
The trope of transforming sexual violence against women into a springboard for rage that can only be channelled through counter-violence has long served as a popular framework in cinema, both globally and in India
6 mins
March 11, 2026
Listen
Translate
Change font size
