Go Unlimited with Magzter GOLD

Go Unlimited with Magzter GOLD

Get unlimited access to 10,000+ magazines, newspapers and Premium stories for just

$149.99
 
$74.99/Year
The Perfect Holiday Gift Gift Now

No Reservations

Prog

|

Issue 164

After 10 wildly eclectic albums, Between The Buried And Me are changing tact. In The Blue Nowhere, the fictional hotel in which their latest concept album lives, the best and worst of humanity can be found. A gradient of genres conveys its chaos and calm, making for their brightest and boldest record to date. Prog checks in to find out more.

- Phil Weller

No Reservations

Variety, as the saying goes, is the spice of life, and it's fuelled Between The Buried And Me's ever-changing, ever-weird, and perpetually progressive sound for 25 years. Sure, the North Carolina group started life with death metal coursing through their veins, but even then a love for strange and expansive music added different shades to their palette. With each release, the balance between the two has shifted. On their 11th album, The Blue Nowhere, vocalist Tommy Rogers has redefined his approach to concept albums and each musician plays off his counterpart’s polarities with aplomb.

“We've always had juxtaposition from member to member,” explains bassist Dan Briggs. “Whether that’s writing melodic prog and having Tommy scream over it like we did back in the day, or me bopping over a heavy part like I’m in Tears For Fears.”

“I think a lot of people will write a riff, and they'll have an idea of how the song needs to be for every other instrument. We know that each member will do what feels right in their lane, and it brings new life to the music,” Rogers agrees.

“Listening to our music, you sometimes don't know what's coming next; it's like that when we're writing. There are so many songs that when I sit down to work on vocals, I'm like, ‘How, the fuck am I gonna write vocals to this?’”

Named after the fictional hotel in which it's set, The Blue Nowhere doesn't offer a traditional narrative arc but is still very much conceptual, and the four walls of the hotel double as a magnifying glass for Rogers' explorations of “the things that define human existence”.

“I've had this obsession of wanting to write about a hotel over the years,” says the vocalist. “I remember being in Japan one time, I had jet lag and it was the middle of the night. I was sitting in this hotel room looking out the window, and I was hyper-aware of everything around me, but I felt like a ghost, like I wasn't part of anything. It was so weird.

MORE STORIES FROM Prog

Prog

Prog

Ghosts In The Half Light

Released 20 years ago, Porcupine Tree's Deadwing was the album that Lava Records hoped would turn over a profit. Although things didn't quite work out that way, the band's eighth studio record did raise their profile and launch them to American audiences. Steven Wilson, Gavin Harrison, Lava's Andy Karp and scriptwriter Mike Bennion reflect on the journey that took Porcupine Tree from playing to 30 people to filling 1,500-capacity venues and even scoring a ride in Neil Peart's Aston Martin.

time to read

20 mins

Issue 165

Prog

Prog

Morphin' Glory

Finnish progressive metal veterans Amorphis are 15 albums into a career like few others. As the band release Borderland, bassist Olli-Pekka Laine tells Prog, the nexus of death metal and neo-prog is a truly strange place to be.

time to read

5 mins

Issue 165

Prog

Prog

Emotional Rescue

On her seventh album, Welsh art-rocker Cate Le Bon has returned to her homeland after a period of living in California. On the emotional Michelangelo Dying, she comes to terms with a broken heart and even teams up with fellow countryman John Cale. The singer-songwriter tells Prog about what she refers to as her \"necessary exorcism\" and why she's looking forward to playing her new songs live.

time to read

5 mins

Issue 165

Prog

Prog

WARRINGTON-RUNCORN NEW TOWN DEVELOPMENT PLAN

Ambient artist travels back to the 70s with synth-heavy utopian soundtracks.

time to read

2 mins

Issue 165

Prog

Prog

Gut Feeling

When Crown Lands found themselves without a label, they immersed themselves in total creative freedom, magic mushrooms and 80s King Crimson. The result is a widescreen three-album arc, starting with two psychedelic meditation records: Ritual I and Ritual II. Prog catches up with the duo to find out more about their epic prog dreams.

time to read

5 mins

Issue 165

Prog

Prog

BE PROG! MY FRIEND

After a successful comeback in 2024, Be Prog! is expanding carefully. Now set in a sci-fi-styled corner of the Poble Espanyol museum, organisers have added four extra bands and upgraded the food and chill-out zones. Across 12 colourful sets, the atmosphere at Catalonia's premier prog gathering is joyous.

time to read

3 mins

Issue 165

Prog

Prog

PINK FLOYD

Alienation, loss and a legendary live bootleg - the prog giants' post-Dark Side masterpiece gets the ultimate 50th-birthday box set treatment.

time to read

3 mins

Issue 165

Prog

BARRY PALMER

Triumvirat's former vocalist on doing The Bump, working with Mike Oldfield and his latest project with Magenta's Robert Reed.

time to read

4 mins

Issue 165

Prog

Prog

GONGOVERCOME TROUBLED TIMES

New album birthed from a period of personal challenges and heavy deadlines.

time to read

2 mins

Issue 165

Prog

Prog

Hand of Fate

Norwegian art-rockers Gazpacho stare fate in the face with their latest album, Magic 8-Ball, but things could have turned out very differently had it not been for Hollywood script-writers. Songwriter, producer and keyboard player Thomas Andersen discusses kismet, creating great art and never being afraid to rip things up and start again.

time to read

7 mins

Issue 165

Listen

Translate

Share

-
+

Change font size

Holiday offer front
Holiday offer back