Power Of Three
Guitarist
|March 2024
Bucking the recent trend for compact heads, PRS goes large with its latest signature amp for Mark Tremonti
Mark Tremonti is one of PRS's most prolific and dedicated artists; his boundless talents are M more than one or even two bands can satisfy. Having found global fame with Creed, Tremonti went on to form Alter Bridge in 2004 with Myles Kennedy, followed by a solo album project in 2010 that turned into the band Tremonti. All three projects are still on the active list, with Creed set to reform again for a tour in 2024. The guitarist is just as busy on the gear front, with Core and SE PRS models alongside the well-received MT 15 head - which is now joined by a new addition, an amp that Mark has been deeply involved with through the design and test phases and is now using in live shows, the signature MT 100 head. The first thing that's apparent on unboxing the MT 100 is its size and weight.
At a time when, in the UK at least, there's been an increasing trend toward more compact and portable products, the MT 100 is unapologetically large and heavy thanks to outsize transformers and a tough steel chassis. The mains transformer is possibly the biggest we’ve ever seen on an amp of this type. At the time of writing, we don’t yet know if a matching 4x12 will be available, but visually a serious rock amp such as this needs a 4x12 or an oversized 2x12 to sit on.
Inside the chassis, most of the electronics live on one large main PCB, including the front-panel controls, preamp valve bases and a bank of nine relays. A smaller PCB strip handles the rear-panel bias connections. The sockets for the quartet of TAD Redbase 6L6s are chassis mounted and hand wired, keeping the main heat source away from the PCB and making a positive contribution to the amp’s longterm reliability. Where most valve amps have separate mains and standby switches, the MT 100 has a three-way toggle for off, standby and play.
This story is from the March 2024 edition of Guitarist.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 10,000+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM Guitarist
Guitarist
GEAR of The YEAR
THE BEST GUITARS, AMPS & PEDALS OF 2025
4 mins
January 2025
Guitarist
All Aboard
Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous
5 mins
January 2025
Guitarist
CONTROL SHIFT
The XS-100 and XS-1 pitch shifters set out to give modern players dominion over the wildest effect on the pedalboard. Boss's Matt Knight tells us more
7 mins
January 2025
Guitarist
The King's Head
The bombastic benchmark of the 'brown' sound has been channelled through a singleended EL34 power section and hybrid preamp, with significant volume and price savings
4 mins
January 2025
Guitarist
Fretbuzz
A monthly look at must-hear artists from all corners of the guitar world, from the roots of their sound to the tracks that matter most
2 mins
January 2025
Guitarist
Go Getter
Blackstar's palm-sized audio interface is a godsend for players who want better audio on their phone-recorded videos
2 mins
January 2025
Guitarist
FLOOR AMPS & MULTI-EFFECTS
This year's new tech puts a world of effects at your feet
1 mins
January 2025
Guitarist
Affordable Flight
With plenty already in the line-up, Gretsch has released a new range of both Electromatic and Streamliner Jets that appear modern- aimed and very affordable. What's new?
4 mins
January 2025
Guitarist
DELAY & MODULATION EFFECTS
Electro-mechanicals revisited, analogue modulation refined and esoteric ambiences combined
1 mins
January 2025
Guitarist
1967 Gibson Barney Kessel
This isn't a guitar I would normally choose for an article, but I think it demonstrates just how extreme Gibson's custom division was prepared to get in order to make a customer happy back in the day.
3 mins
January 2025
Listen
Translate
Change font size

