"I FELT VERY ALONE IN A WORLD GONE HORRIBLY MAD"

It was a moment of possibilities, dislocation and dread. Dan Todman tells the story of the 1.5 million urban Britons evacuated to the countryside at the start of the Second World War

- Dan Todman

It's October 1939, and an aristocratic couple are discussing how to manage the horde of ill-spoken, slovenly evacuees from the city who have been billeted in their house. Not to worry, the husband tells his wife: bringing the children into a more refined environment will soon civilise the youngsters. Instead, as the sketch plays out on the BBC Home Service, the couple's lordly airs and graces disappear. It's the evacuees – sent away from home at the behest of the authorities – who change their hosts, rather than the other way around.

It's a skit that fits with how the story of Second World War evacuation has often been constructed, both at the time and in the years since. Here is a narrative that emphasises a clash of cultures: the rural rich suddenly confronted by the urban poor – a moment replete with topsy-turvy possibilities. But the circumstances around the recording of the sketch itself reveal how evacuation was a much larger and more complex event than this straightforward narrative suggests.

It was performed by a cast of variety performers who had also been evacuated, from London to Bristol. That move was part of the BBC's own preparations to maintain a schedule of light entertainment to intersperse with the news bulletins and government announcements expected to dominate the airwaves over the first weeks of the war.

Seen in this light, the first wave of evacuations was specifically a product of conditions in the autumn of 1939 – but it was also an event that came to have a deep significance in the British folk memory, emblematic of the longer and wider disruptions, separations and anxieties experienced by so many civilians.