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Techniques and Idiosyncrasies Yiyun Li
The New Yorker
|March 17, 2025
Lilian was the only patient that morning.
This was a change from the crowded waiting room she was used to in the days before Dr. Fenton began to charge an annual fee. “Concierge medicine” sounded like “bespoke chocolates” and would not have been Lilian’s natural inclination, and yet she stayed with the clinic. Looking for a new physician would require making calls, meeting strangers, and filling out medical-history forms, and that, even for a healthy fifty-one-year-old, could be complicated. Lilian might be able to omit the two miscarriages—not all experiences, thank goodness, left a trace—but could she also omit the two childbirths, the second by C-section? Small talk happened in doctors’ offices, sometimes about children.
A fee was a manageable price for not having to lie or explain. Lilian did not mind telling the truth, but truths could be startling and leave people uneasy—spooked, Lilian called that state.
The nurse, who introduced herself as Tina, was new. So, Eileen must have retired. For a few years, Eileen had been talking about travelling to County Clare, where her grandparents had lived before emigrating. That retirement plan had been a recurring subject, and Lilian welcomed the images of the coastal cliffs, the castle ruins, and the country lanes, a whiff of wild and poetic bleakness in the fluorescent-lit examination room. She wondered if Eileen talked about visiting her grandparents’ village with every patient. Lilian had been to Ireland many times but not to County Clare. Eileen had never been to Ireland.
Tina, between fifty and sixty, was not the chatty type. She seemed to have an unusual way of looking at Lilian, which reminded her of the way Elizabeth Bowen had described a secret agent in one of her novels—“using both eyes at the same time.” The association was perhaps unfair. Why shouldn’t Tina look with both eyes fixed harshly on Lilian’s face—the nurse was not a Cyclops or afflicted with exotropia.
This story is from the March 17, 2025 edition of The New Yorker.
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