Try GOLD - Free
FEAR FACTOR
The New Yorker
|March 17, 2025
How the Red Scare reshaped American politics.
When, exactly, was America great? For as long as Donald Trump has touted the MAGA slogan, he has been cagey about the answer. But recent weeks have suggested a few possibilities. One is the Gilded Age of the late nineteenth century, when tariffs, crony capitalism, and hard-and-fast racial hierarchies were the stuff of American politics. Another is the postwar Red Scare, when the federal government was weaponized against the American left.
Trump has long vowed to root out “radical left lunatics” and “Marxist equity” from the bowels of the state. Most members of his Administration now seem to share that commitment. The DOGE overlord Elon Musk proclaimed that U.S.A.I.D. is—or was?—“a viper’s nest of radical-left marxists” and deserved to be destroyed. Defense Secretary Pete Hegseth has similarly promised to rid the U.S. military of its “cultural Marxism.” An update on the old Judeo-Bolshevik myth, “cultural Marxism” is now the term favored by the right to get around the obvious fact that there are vanishingly few doctrinaire Marxists, much less a vigorous Communist Party, in the United States today. Unlike actual Marxism, “cultural Marxism” includes almost any form of progressive multiculturalism or egalitarianism. Thus the war against diversity-equity-and-inclusion initiatives, campus protesters, and the Green New Deal is, in fact, the good old war against Communism.
This story is from the March 17, 2025 edition of The New Yorker.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 10,000+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM The New Yorker
The New Yorker
Amanda Petrusich on Katy Grannan's Photograph of Taylor Swift
There’s something uncanny about this still and stunning portrait of a twenty-one-year-old Taylor Swift, shot by Katy Grannan for Lizzie Widdicombe’s Profile of the singer, in 2011.
1 mins
January 12, 2026
The New Yorker
DEAL-BREAKER
Pam is seeing someone, but she’s not talking about it.
19 mins
January 12, 2026
The New Yorker
THE OTHER BOOMERS
Kathryn Bigelow, the director, and Alexandra Bell, the arms-control expert, are both nuclear-attack-submarine literate. Bigelow—whose new Netflix film, “A House of Dynamite,” imagines the U.S. government’s response to an incoming intercontinental ballistic missile (ICBM) eighteen minutes from impact—shot part of her 2002 submarine film, entitled “K-19:
3 mins
January 12, 2026
The New Yorker
THE MUSICAL LIFE BROADWAY BABY
At Joe’s Pizza on Carmine Street, Marc Shaiman, the celebrated composer and lyricist, dropped his slice on the floor. “Ugh, it’s the Shaiman vortex,” he said. “Everything I come near breaks.”
3 mins
January 12, 2026
The New Yorker
NOTORIOUS M.T.G.
Marjorie Taylor Greene and Donald Trump break up over Epstein.
26 mins
January 12, 2026
The New Yorker
YES, AND?
How consent can—and cannot—help us have better sex.
14 mins
January 12, 2026
The New Yorker
LET IT BLEED
When Helen Frankenthaler remade painting.
5 mins
January 12, 2026
The New Yorker
THE AMERICAN POPE
How the Chicago-born Robert Prevost became Leo XIV.
32 mins
January 12, 2026
The New Yorker
DEPT. OF RECYCLING SWIPE OUT
In 1994, when the MetroCard made Its 22, many straphangers were reluctant to say farewell to the subway token. Across the city, commuters struggled to master \"the swipe.
2 mins
January 12, 2026
The New Yorker
THE TALK OF THE TOWN
Easily missed on the back side of the November ballots that brought Zohran Mamdani to Gracie Mansion was a proposal for a new map of New York City.
4 mins
January 12, 2026
Listen
Translate
Change font size
