Try GOLD - Free
How to Write in Different Genres
Writer’s Digest
|January - February 2025
Emiko Jean and Yulin Kuang share tips and strategies for how they successfully write in different genres and mediums.

As a journalist and the author of two young adult novels, I’m always curious about how writers start in a new genre. The journalist in me follows my curiosities because there’s often a good story to uncover. When two books came across my desk to review, I thought the authors would be perfect to ask about switching genres. First, I spoke with Emiko Jean, whose debut adult thriller The Return of Ellie Black garnered a rave review from the master himself, Stephen King, but who started out in the YA space. I also chatted with TV writer and screenwriter Yulin Kuang, who penned her debut romance novel How to End a Love Story, to understand how a writer can make jumping genres seem seamless.
For Jean, the idea for The Return of Ellie Black initially began as a young adult novel intended to be a follow-up to her debut YA psychological thriller novel, We’ll Never Be Apart. “It got passed on by my editor at the time, which was devastating. I thought I had written this really wonderful book, and she said it was not for the young adult market.” That stinging rejection turned into inspiration when Jean’s literary agent suggested she write the story as an adult thriller instead. Jean put aside the original manuscript for a few years to work on other projects, but when she returned to tackle a big revision on Ellie Black, she added a female detective point of view, which she says, “cracked open the whole story for me.” Adding Detective Chelsey Calhoun into the story took about a year and a half of work, and then Jean added Ellie Black’s parents’ points of view as well.

This story is from the January - February 2025 edition of Writer’s Digest.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 9,500+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM Writer’s Digest

Writer’s Digest
Crafting an Interconnected World, One Short Story at a Time
As writers, we're drawn to the accomplishment of typing The End, especially when it's a short story. But have you ever closed the computer and thought, Is there more to this story? If so, you're not alone.
6 mins
September/October 2025

Writer’s Digest
Soul Connection
Whether hot off the presses or on the shelves for years, a good book is worth talking about.
3 mins
September/October 2025
Writer’s Digest
Collaborating With Your Reader
How to create the scaffolding readers need to enter your story.
9 mins
September/October 2025

Writer’s Digest
Connecting Young Readers to History
Alyssa Colman's new novel paints a picture of the past to help us connect with the present.
4 mins
September/October 2025

Writer’s Digest
Isabel Cañas
In the May/June 2022 issue of WD, I featured The Hacienda by Isabel Cañas in our Breaking In column. A haunted house story at its core, Cañas' debut novel is set in the aftermath of the Mexican War for Independence and tackles issues of feminism, religion, folk magic, and familial secrets. It was my first horror novel for the column, and I was so excited that Cañas wanted to be a part of it—I knew that novel was something special.
13 mins
September/October 2025
Writer’s Digest
The Mid-Career Query
If you've had some publishing experience without an agent, is it worth it to try to find one mid-career?
8 mins
September/October 2025

Writer’s Digest
2025 Annual Agent Roundup
20+ literary agents open to queries detail what they're looking for and how best to connect with them.
3 mins
September/October 2025
Writer’s Digest
Querying as Courtship
Yes, You're Trying to Impress, But So Are We
3 mins
September/October 2025

Writer’s Digest
Soul-Shaped Hole
Write a short story of 650 words or fewer based on the photo below.
2 mins
September/October 2025
Writer’s Digest
Ethically Diverse Storytelling, Part 1
Tips for making your story concrete.
4 mins
September/October 2025
Listen
Translate
Change font size