An Author's Bill of Rights

Longtime editor Joy Peskin details the treatment you deserve when working with a traditional publisher—and how to reciprocate.

- BY JOY PESKIN

A writer dreaming of a first book deal may think it will be enough just to get their work published. And while there's nothing quite like seeing your name on the cover of a book, your publisher should provide you with a lot more than that.

As a children's books editor with nearly 30 years in the business, I have a passion for author care, which means giving writers the best possible experience from acquisition to publication and beyond. Here are the rights to which I believe you're entitled once your book is signed up—and some tips for following the golden rule by treating your publishing team with the same level of care and respect you deserve.

HONESTY

Early in my career, I was paired with an author whose relationship with her previous editor had soured. Wanting to give her a better experience, I asked, “What can I do—or not do—to make our editorial partnership a more positive one for you?” I was surprised when she replied, “Don't lie to me.” After I assured her I would never do that, the author told me her previous editor had been dishonest about things like whether the editor had read the manuscript yet or when the author might receive notes. An editor who lies breaks the trust necessary for the creative process to thrive.

TIP: The same applies in reverse. If you're running behind on a deadline, be upfront about it. Don't make promises you can't keep, and don't go silent when asked for an update.

REPRESENTATION