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Classical Rock / Pop Jazz: Record Reviews
Stereophile
|June 2021
In its sixth year, International Anthem seriously stepped up production. 2020 saw the Chicago label releasing a fast succession of rewarding albums, including a standout disc by Tortoise guitarist Jeff Parker and adventurous jazz by Rob Mazurek and the collective Irreversible Entanglements.
Within that flurry of activity, the small operation drew a fine line through a new era of jazz spiritual. Not a narrow line, but a fine one, a bold and exceptional line. Harp/bass duo Dezron Douglas and Brandee Younger’s Force Majeure included arrangements of tunes by Alice and John Coltrane and the Stylistics; drummer Makaya McCraven continued his beat-heavy Universal Beings groove with an album that included contributions from Parker and Younger; and clarinetist/singer/songwriter Angel Bat Dawid followed her stunning 2019 debut with a live album and a 7-inch. All of those drew from a history of Black consciousness in American music without seeking to dress soul and jazz as period pieces.
The label has also built a strong identity from synergy between artists. Singer/composer Damon Locks, for example, did the cover art for the McCraven and Irreversible Entanglements releases, and Dawid is a key member of Locks’s exciting vocal group, Black Monument Ensemble.
Locks is no newcomer. In the ’80s and ’90s, he fronted the multifaceted postpunk band Trenchmouth (with future Saturday Night Live and
This story is from the June 2021 edition of Stereophile.
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