Lucky Luke
Guitarist
|June 2018
As Toto toast their 40th anniversary with a new hits package and stadium tour, Guitarist finds Steve Lukather pinching himself, explaining eloquently that “Life is good at Lukey’s house, you know what I mean?”
Interviewing Steve Lukather is like riding a rodeo bull. You turn up with your list of carefully selected questions, hoping to gently probe the Toto guitarist on his 40-year catalogue and evolving gigbag. But you soon discover it’s more a case of holding on tight while he runs the conversational gamut. “My doctor,” he gabbles in one typical digression, “told me I should masturbate more.”
If Lukather is on giddy form, that’s understandable. It’s four decades since a crack-squad of LA session men set out under the dubious moniker of Toto (a name the guitarist always hated). The lineup’s ferocious musicality didn’t stop them achieving monster sales, especially on 1982’s Toto IV, home to global hits like Africa and Rosanna. But they were never critics’ darlings, and though Lukather’s virtuoso guitar work has always dazzled through the decades, any betting man would have assumed their commercial peaks were far behind them.
Given that, Lukather is as surprised as anyone to find Africa leading younger fans upstream into the Toto catalogue, prompting the band to release a 40th anniversary hits package (40 Trips Around The Sun) and book their biggest venues in years. “We’re selling out arenas,” gapes the 60-year-old. “We sold out the Royal Albert Hall. We’ve never had this kind of action before and it’s like, ‘Really? Now?’ It’s like some weird, demented joke, but I’m actually really fucking grateful.”
What are your favourite moments on the new 40 Trips Around The Sun compilation album?
“Man, that’s a hard question. I got four kids – which one do I love the most? There have been highlights. I can hear the youthfulness of my playing on, say, Hold The Line. To me, our signature song was
This story is from the June 2018 edition of Guitarist.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 10,000+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM Guitarist
Guitarist
GEAR of The YEAR
THE BEST GUITARS, AMPS & PEDALS OF 2025
4 mins
January 2025
Guitarist
All Aboard
Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous
5 mins
January 2025
Guitarist
CONTROL SHIFT
The XS-100 and XS-1 pitch shifters set out to give modern players dominion over the wildest effect on the pedalboard. Boss's Matt Knight tells us more
7 mins
January 2025
Guitarist
The King's Head
The bombastic benchmark of the 'brown' sound has been channelled through a singleended EL34 power section and hybrid preamp, with significant volume and price savings
4 mins
January 2025
Guitarist
Fretbuzz
A monthly look at must-hear artists from all corners of the guitar world, from the roots of their sound to the tracks that matter most
2 mins
January 2025
Guitarist
Go Getter
Blackstar's palm-sized audio interface is a godsend for players who want better audio on their phone-recorded videos
2 mins
January 2025
Guitarist
FLOOR AMPS & MULTI-EFFECTS
This year's new tech puts a world of effects at your feet
1 mins
January 2025
Guitarist
Affordable Flight
With plenty already in the line-up, Gretsch has released a new range of both Electromatic and Streamliner Jets that appear modern- aimed and very affordable. What's new?
4 mins
January 2025
Guitarist
DELAY & MODULATION EFFECTS
Electro-mechanicals revisited, analogue modulation refined and esoteric ambiences combined
1 mins
January 2025
Guitarist
1967 Gibson Barney Kessel
This isn't a guitar I would normally choose for an article, but I think it demonstrates just how extreme Gibson's custom division was prepared to get in order to make a customer happy back in the day.
3 mins
January 2025
Translate
Change font size

