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The Ghosts Of Pejac
JUXTAPOZ
|Spring 2018
Silhouettes and Stories from Barcelona
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With pencil or chalk drawings as favorite methods to tell relatable narratives, Pejac creates poignant images that look like memories set in a dreamscape. While the accuracy of his works was what first got my attention, it was the ingenious way he employed these techniques that won me over. The Barcelona-based artist produces a versatile range of work, from drawings and paintings, to sculptures and major public interventions. He and I have met on a few occasions, but it wasn't until this conversation after opening his solo show in Venice that I got a better understanding of his work and relationship with the world, as well as a chance to look inside his beautifully sensible mind.
Sasha Bogojev: What attracts you to silhouettes? They are a consistent element in your public works.
Pejac: I think that, with silhouettes, you can connect with yourself in a very easy, fast and honest way. And from there, you connect with other people from yours and other cultures. I find them to be a universal way to express what I could be saying in a more conceptual way. The same thing can be said in thousands of ways, and I choose them because they’re fast and easy.
You've been doing fewer public interventions lately. Is there any particular reason?
The last three years, I've been working a lot out of my studio and out of the country. I've been traveling, meeting people from different countries, which was really great, but I felt that I needed some time to recharge my battery. To travel was amazing, but when you do it a lot, it becomes a problem.
This story is from the Spring 2018 edition of JUXTAPOZ.
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