Try GOLD - Free
Sight-size Method
International Artist
|December - January 2020
Ester Wilson explains how she uses sketches and a studio setup to paint a still life full of texture and dimension

I have collected several Asian dishes and I wanted to put the most colorful items together. After reading a little about ornamental ginger jars, I learned they were originally used to transport and store spices in Asian countries, which is also where peaches have been cultivated for ages. This made perfect sense for a colorful display, so I created the setup with overhead side lighting and began a sight-size painting study, which later became my work Oriental Spice.
This story is from the December - January 2020 edition of International Artist.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 9,500+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM International Artist

International Artist
Marshland Glow
Through glazing and scumbling, oil painter Karen Murphy manipulates her medium to create atmospheric landscapes
1 mins
August/September 2025

International Artist
Quiet Rhythm
Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion
1 mins
August/September 2025

International Artist
To the Point
Keita Tsuji uses pointillism to heighten the color expression in his pastel paintings
1 mins
August/September 2025

International Artist
Change Up
Primarily a watercolor artist, Heidi Willis breaks down her approach to working with a new medium
2 mins
August/September 2025

International Artist
Form and Space
Alicia Ponzio's interest in human anatomy guides her sculptural works
2 mins
August/September 2025

International Artist
The Texture of Time
Bennett Prize winner Amy Werntz create works of art that celebrate the beauty that only comes with age
5 mins
August/September 2025

International Artist
Pattern making
My painting process is predominantly intuitive.
1 min
August/September 2025

International Artist
The Big Picture
Tony Thielen paints bold, expressive scenes by starting with the biggest shapes, then working toward the finer details
1 mins
August/September 2025

International Artist
Fluid Fusion
Pigments merge and create subtle gradients in Ian de Hoog's traditional wet-in-wet approach
2 mins
August/September 2025

International Artist
MAKING MOVES
How to pitch your work to the press
4 mins
August/September 2025
Translate
Change font size