Musicworks - 142 - Summer 2022

In dieser Ausgabe

ON THE COVER: Gayle Young’s collected vocal works (1978–2021) require versatility, stamina, focus, and curiosity to interpret and perform, as Montreal-based singer Sarah Albu discusses in a feature essay about working with Young on a new recording. INSIDE: Recently knighted Dutch violist Ig Henneman has paved a singular path as a classically trained musician, rock songwriter, improviser, composer, bandleader, and organizer, as violist Jennifer Thiessen reveals. In advance of the Canadian premiere of her 2017 Pulitzer Prize-winning opera Angel’s Bone, soundworld creator Du Yun gives saxophonist Olivia Shortt an inside look at her evolving practice. Music interventionist Jenny Moore’s creative work practice is about listening, interacting, and imagining a future with others. Mark Ellestad gave up composing in the 1990s and now finds his work being (re)discovered thanks to U.K. label Another Timbre. Pierre Kwenders channels love and life experiences into his new album José Louis and the Paradox of Love. Yaz Lancaster’s genre-fluid solo and collaborative music offers liberatory modes for exploration.