Musicworks - 138 - Winter 2020/2021
Musicworks - 138 - Winter 2020/2021
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In dieser Angelegenheit
DEBBY FRIDAY (on the cover) is one of the most restless, exciting artists working in experimental music; she describes her work as synthesis of divergent theories and sounds. Anna Höstman’s works for notable large and small ensembles and solo performers are of a decidedly original and personal origin. Araz Salek has devoted much of his practice to exploring the Iranian classical repertoire, but he’s no traditionalist. Saxophonist, composer, and arts administrator Olivia Shortt is devoted to creating freewheeling, safe, collaborative spaces. Suddenly Listen is a Halifax-based presenter of exploratory, improvised, multidisciplinary chamber music. Performer, composer, and researcher Anoush Moazzeni uses digital processing, visuals, and mechanical systems to reimagine the piano. Spotlights on Matthew Cardinal and Morgan-Paige Melbourne; choreographer Kevin A. Ormsby and composer David Bontemps discuss a new work for National Ballet of Canada. Also: a profile of the label Telephone Explosion: explorations with Hum, a new Toronto soundwalk zine; Any Night of The Week: a D.I.Y. History of Toronto Music 1957–2001 book review; and lots of recording reviews!
Musicworks Magazine Description:
Verlag: Musicworks
Kategorie: Music
Sprache: English
Häufigkeit: 3 Issues/Year
Musicworks connects readers with curious ears to the world’s most adventurous music and sound art in a magazine and companion recording (included with print subscription at this time) — packed with mind-expanding stories, photos, and tracks you won’t find anywhere else.
Subscribe through musicworks.ca/subscribe to get your copy with the CD.
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