IN THIS ISSUE:
-On the Trail of the Unicorn. Trying to Define Art / By John Valentine
-The Paradox of Expressionism / By John Valentine
-An Interview with Antonis Pittas on the Occasion of His Book Road to Victory / ByDaphne Vitali
-Milton Glaser: The Prophetical Guide / By Daniel Bonnell
-Interview with Arturo Duclos / By Paco Barragán
-Ramiro Lacayo: Conversations In and Around Painting / By Raisa Clavijo
-Ragnar Kjartansson. A Rake’s Progress Hits the Sublime and the Not So Much / Tim Hadfield
-Perfect Stranger. An Interview with Dara Friedman / By Heike Dempster
-In Conversation with Balint Zsako / By Taliesin Thomas
-Pia MYrvoLD: Dialogues Across Media / By Raisa Clavijo
-Kettle’s Whistle. The Big Kahuna / By Michele Robecchi
-Push To Flush. Museums, Spectators and Participation / By Paco Barragán
-Art Critics’ Reading List / Eduardo Carrera, Fred Gross
REVIEWS
Lin Tianmiao: Protruding Patterns, by Taliesin Thomas (Galerie Lelong, New York) / Georgia O’Keeffe: Living Modern, by Taliesin Thomas (Brooklyn Museum, New York) / Hansel & Gretel, by Taliesin Thomas (Park Avenue Armory, New York) / Johan Wahlstrom: Distorted Happiness, by Paul Laster (George Bergès Gallery, New York) / Su Su: Recent Paintings, by Tim Hadfield (Martin Chen Gallery, Pittsburgh) / Maggie Mullin O’Hara. I’m Trying To Tell You, by Todd Schroeder (Telfair Museums/Jepson Center, Savannah GA) / Fold Unfold, by Dianne Totten (Lyndon House Arts Center, Athens, GA.) / An Archive of the Future: Iyapo Repository, by Christina Schmid (Law Warschaw Gallery, St. Paul, MN) / New Pictures: Omer Fast, Appendix, by Christina Schmid (Minneapolis Institute of Art, Minne- apolis, MN) / Living Theatre, by Santa Nastro (Casa Morra, Naples, Italy) / Lucy Skaer: Available Fonts, by Lydia Magyar (KW Institute for Contemporary Art, Berlin, Germany) / Willem de Rooij: Whiteout, by Lydia Magyar (KW Institute for Contemporary Art, Berlin, Germany)

IN THIS ISSUE
-From ZERO to Now, An Interview with Heinz Mack / By Paul Laster
-In Defense of Menacing Content. A Conversation with Derek G. Larson / By Kristina Olson
-Interview with Mary Anne Staniszewski / By Paco Barragan
-The Laws of Motion. In-Studio Interview with Alex Kanevsky / By Kim Power
-A Motley Choir. Variations in Tone in Contemporary Art Criticism / By Kerr Houston
-The Enchanted Mystery of the Art of Markus Lüpertz / By Daniel Bonnell
-The Shadow of History and the Simulacrum in the Art of Andreas Angelidakis / By Alexandria Pierce
-Fighting with Scale. The Battle for Attention at the Whitney Biennial / By Kristina Olson
-Kettle's Whistle. Hardly the Way / By Michele Robecchi
-Push To Flush. American Iconoclasm of Painting (Or Why Dana Schutz's Painting of Emmet Till Goes Far Beyond Freedom of Expression / By Paco Barragan
-Art Critics Reading List / Diana Nawi, Gabriel Perez-Barreiro
-REVIEWS
John Wellington: Temple Tomb Fortress Ruin, by Kim Power (The Lodge Gallery, New York) / Ai Weiwei: Laundromat, by Taliesin Thomas (Jeffrey Deitch Gallery, New York) / Marilyn Minter: Pret- ty/Dirty, by Taliesin Thomas (Brooklyn Museum, New York) / Aron Wiesenfeld: Unwind the Winding Path, by Kim Power (Jonathan LeVine Gallery, New York) / Siri Berg: In Color, by Kim Power (Shirley Fiterman Art Center, New York) / David Gaither: Axiom, by Kim Power (511 Gallery, New York) / Per- petual Revolution, by Keren Moscovitch (International Center of Photography, New York) / COMING TO POWER: 25 Years Of Sexually X-Plicit Art By Women, by Taliesin Thomas (Maccarone Gallery, New York) / Steve Locke: Family Pictures, by Gregory Eltringham (Gallery Kayafas, Boston) / Amy Schissel: #everythingthathappensatonce, by Jason Hoelscher (Laura Mesaros Gallery, West Virginia University) / Speedy Graphito: An American Story, by Raisa Clavijo (Fabien Castanier Gallery, Miami) / documenta 14, by Santa Nastro ( Athens, Greece). Plus other national and international reviews.

Issue 30

Issue 29

ARTPULSE is a quarterly magazine specializing in contemporary art It offers a panorama of trends, personalities, exhibitions and events that make up the international art landscape. It is a forum for expression that seeks to foster ties among galleries, artists, collectors, art critics, curators, scholars and museum professionals. ARTPULSE contains various sections including interviews, theoretical essays, articles, news, exhibition and book reviews. With each issue, the magazine endeavors to generate reflection, controversy and dialogue.

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