Denemek ALTIN - Özgür
MY FATHER'S WORK
The Atlantic
|September 2025
In August 2000, when I was 2 years old, my mother put me in a maroon velvet dress and stuck foam earplugs in my ears.
She carried me through the backstage corridors of the Santa Monica Civic Auditorium—the same venue where, in 1964, James Brown gave one of the most ecstatic performances of his career. It's where, in 1972, George Carlin first listed the “Seven Words You Can Never Say on Television.”
My mother remembers the night in flashes. David Crosby—walrus mustache, smiling eyes—telling jokes. Bonnie Raitt’s aura of red hair. In the distance, the sound of Linda Ronstadt warming up. Sitting in a dressing room with Michael McKean and Christopher Guest, already in costume as Spinal Tap’s front men.
That night, the auditorium was hosting the Friends of Fred Walecki benefit concert. These friends included Crosby, Raitt, and Ronstadt. Also Jackson Browne, Graham Nash, Emmylou Harris, and Warren Zevon. Three of the four original Eagles, who in this room in 1973 had performed their new album, Desperado, were there too.
One of the Eagles, Bernie Leadon, had helped put the event together. He had known Fred Walecki, my father, since they were teenagers, when Leadon started coming into Westwood Music, Dad’s musical-instrument shop in Los Angeles.
Dad had recently been diagnosed with Stage 4 throat cancer and had undergone a complete laryngectomy. Surgeons removed his vocal cords and created a hole in his throat that he used to breathe; to speak, he pressed an electronic buzzer against the side of his neck. If people gawked at him, he'd joke that everyone on his home planet sounded like this.
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