A NATIONAL ANTHEM IS BORN IN 'YOU'VE GOT A FRIEND'

Donny Hathaway's gospel-infused cover turns Carole King's song into a communal declaration

- 

DONNY HATHAWAY had already been expounding on the splendors and indignities of American life by the time he got to the Troubadour in West Hollywood in the last week of August 1971. A classically trained pianist with a declamatory voice shaped by his years in the church, Hathaway closed Side 1 of his 1970 debut with an original called "Tryin' Times" - "Maybe folks wouldn't have to suffer," he sang, "if there was more love for your brother" - and finished the LP with a stately rendition of Nina Simone's "To Be Young, Gifted and Black." Months after the album was released, he dropped a joy bomb of a holiday single, "This Christmas," that unapologetically made space for a Black experience in the yuletideindustrial complex. Yet Hathaway captured something indelibly American during his week of shows at the Troubadour, which were recorded (along with a later gig at New York's Bitter End) for the singer's classic "Live" album that came out in February 1972. On an LP full of spine-tingling performances, the undeniable high point is Hathaway's take on Carole King's "You've Got a Friend" - a clear-eyed if optimistic portrait of resilience and cultural exchange.

King who'd made her name in the 1960s as half of a prolific Brill Building songwriting duo with her husband, Gerry Goffin-wrote "You've Got a Friend" after leaving Goffin and moving to Los Angeles with her two young daughters. Here she remade herself as a low-key singer-songwriter dispensing wise yet unflashy tunes about love, home and family - part of a gentle resetting of pop's mood after the turmoil of the previous decade.