For a long time, he had wanted to make something so simple and natural that no one would suspect concerted thinking had gone into it. He wanted the greatest possible concentration of thought along with the greatest possible efficiency in the execution of that thought.
He had come up with many ideas in the past. He would sell dirt. He would be a newspaper vendor, but the newspaper he sold would not exist. He would create one issue of the newspaper, make only 101 copies, and sell them. The stories in the newspaper would be outrageous, improbable, yet perfectly believable. He would insinuate, for example, that human beings were disappearing, and that more aliens existed among us than at any other time in history. The paper's events would make people doubt their reality or the reality of the society in which they lived. He would have an ad for a great dirt sale, giving the impression that people lined up every other week to buy dirt from different parts of the country. He would have another item about a 55-year-old flea, accompanied by a blown-up photograph, giving it a half-familiar, half-grotesque appearance, evoking both the art of William Blake and the largely credible pictures in National Geographic. But the more he considered such an elaborate scheme, the more he felt that its very elaborateness disqualified it from the true naturalness that authentic conception, raised to the status of art, must have.
This story is from the March 2023 edition of The Atlantic.
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This story is from the March 2023 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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