Facebook Pixel 33½ minutes with...Dana Gillespie | Record Collector - music - Read this story on Magzter.com
Go Unlimited with Magzter GOLD

Go Unlimited with Magzter GOLD

Get unlimited access to 10,000+ magazines, newspapers and Premium stories for just

$149.99
 
$74.99/Year

Try GOLD - Free

33½ minutes with...Dana Gillespie

Record Collector

|

July 2024

Dana Gillespie was the 60s It Girl who hung out with a pre-Bowie David Jones at Soho cafe La Gioconda and sang at the Marquee alongside Julie Driscoll. Jimmy Page produced her 1965 single, D Thank You Boy, and played on her 1968 debut album, Foolish Seasons. Its follow-up, 1969's Box Of Surprises, paired her with producer Mike Vernon and Savoy Brown while 1973's Weren't Born A Man saw her working with Bowie and Mick Ronson. First Love, her covers album out now, is produced by Marc Almond and Tris Penna. "Marc said to me, 'I'm fed up with you being the biggest undiscovered secret on the planet,"" she says on the motivation behind what will be her 74th album. "He said we've got to change that. I've never even been asked to perform on Jools Holland's Later. I'm too old to be pissed off but I have been overlooked."

- Lois Wilson

33½ minutes with...Dana Gillespie

First Love is a departure from your signature blues style and sees you reinterpreting songs by Green Day, Morrissey, Jake Bugg and Lana Del Rey. How did you pick the songs for the album?

They are not just any songs. Each one means something to me or relates to my life in some way. I picked some of the tracks, Marc picked some, Tris picked some.

What was the vibe in the studio during the recording?

I've produced myself since 1973 so it was marvellous to be able to say to Marc and Tris, both who I know very well and trust, I'm in your hands. We did a couple of rehearsals at the Temple Of Art And Music first and then we went to Dean Street Studios which is Marc's favourite studio. We used the musicians from my London Blues Band and it turned out wonderful.

The first single from the album is a cover of Morrissey's Spent The Day In Bed and he's designed the cover artwork for it.

We've never met but he sent this email saying, "Your version is far better than mine!" which was incredibly nice of him. Tris suggested I do it, he's friends with Morrissey, and I can really relate to the lyrics. I could have written this song myself because I love to spend the day in bed, especially at this time when everything is so awful. I agree with Morrissey: Stop watching the news, it frightens you and messes with your mind. Tris also suggested I cover a David Bowie song.

You do Can You Hear Me? Why that one?

MORE STORIES FROM Record Collector

Record Collector

Record Collector

anchoressaway

This is hardware - Catherine Anne Davies hails the \"gear nerd\"

time to read

4 mins

February 2026 - Issue 580

Record Collector

Record Collector

LABEL OF LOVE DEVILDUCK

Where are you based, what do you do and why? We are based in Hamburg, we develop artists and release their music and that's pretty much what it's all about.

time to read

2 mins

February 2026 - Issue 580

Record Collector

Record Collector

JET!

We've recently taken a tour of rock star houses. Now Paul Bowler hops on board some famous band aeroplanes

time to read

6 mins

February 2026 - Issue 580

Record Collector

Record Collector

EASTERN PROMISE

A string of subtly sublime pop confections ensured Liverpool duo China Crisis were regular fixtures in the mid-80s charts, yet critical acclaim was thin on the ground. Jack Watkins feels history has unfairly neglected them, and he meets the still-gigging Scousers' Gary Daly to set the record straight

time to read

10 mins

February 2026 - Issue 580

Record Collector

Record Collector

THE ENGINE ROOM

The unsung heroes who helped forge modern music

time to read

4 mins

February 2026 - Issue 580

Record Collector

Record Collector

From The Vaults

Reissues, remasters and compilations

time to read

4 mins

February 2026 - Issue 580

Record Collector

Record Collector

"THEY'RE ALMOST SCIENCE FICTION CHARACTERS"

In 2016, two of the most significant figures in modern pop left us within the space of a few weeks. And while David Bowie and Prince are associated with different eras, they both retain a mystique which, long after their passing, only makes our fascination for them grow. Rob Hughes assesses their twin legacies, explores their posthumous contributions to their catalogues, and compares and contrasts their particular varieties of genius, with input from collaborators and colleagues.

time to read

23 mins

February 2026 - Issue 580

Record Collector

Record Collector

33⅓ minutes with... Derek Shulman

If Derek Shulman had just, in his career, been the frontman for revered and sorely missed niche prog ensemble Gentle Giant, his place in the pantheon would be guaranteed.

time to read

4 mins

February 2026 - Issue 580

Record Collector

Record Collector

VALUE ADDED FACTS

lan Shirley, esteemed alumnus of the Rare Record Price Guide, answers your questions

time to read

10 mins

February 2026 - Issue 580

Record Collector

Record Collector

UNDER THE RADAR

Artists, bands, and labels meriting more attention

time to read

4 mins

February 2026 - Issue 580

Listen

Translate

Share

-
+

Change font size