Try GOLD - Free
The End of the Funny Fat Lady
New York magazine
|July 14 - 27, 2025
An imperfect trope might be going away for good.
IN THE FIRST episode of the romantic-comedy series Too Much, heartbroken 30-something Jessica (Megan Stalter) breaks into an apartment she used to live in with her ex, Zev (Michael Zegen). We know this is a mess in the making from the moment she pulls up in a cab, obviously drunk and rehearsing explanations for why it's entirely reasonable for her to swing by in the middle of the night. But it quickly escalates into full-blown disaster when she smashes the window and lets herself into a place that Zev is clearly now sharing with his new girlfriend, Wendy Jones (the model Emily Ratajkowski). Jessica calls Wendy a “fucking bitch,” then launches into a screaming tirade about how Zev leaving her was the worst thing anyone has ever done. The encounter ends with him threatening to call the cops and with her scurrying down the middle of the street to Cam'ron's “Dead or Alive,” clutching a stolen garden gnome and losing one of her shoes as she runs like some demented Brooklyn Cinderella. Watching that sequence, I thought, I know exactly who this character is. Not personally—though as a semi-autobiographical stand-in for Too Much co-creator Lena Dunham, who also found new love after decamping to the U.K., Jessica does seem familiar. But I knew her type or was convinced I did. Caught in an undignified situation, humiliated by a hot, skinnier love interest, Jessica was the latest incarnation of the funny fat lady (who is never actually that fat, merely representative of the average American woman). The funny fat lady can be wildly confident or devoid of self-esteem, but either way she's a creature of excess who tends toward sloppiness, laziness, and talking a lot, her fulsomeness a quality going deeper than flesh. She barrels through comedies as someone who's both in on and the butt of the joke, an emblem of how mistreated larger women can feel, but also someone who is expected to confront that criticism before it can be leveled at her.
This story is from the July 14 - 27, 2025 edition of New York magazine.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 10,000+ magazines and newspapers.
Already a subscriber? Sign In
MORE STORIES FROM New York magazine
New York magazine
THE BILLIONAIRE WHO WIRED SAN FRANCISCO
Ten years ago, concerned about car burglaries, Chris Larsen began installing a web of private cameras over the city. He had no idea how far his influence would go.
27 mins
May 18–31, 2026
New York magazine
MORGAN BASSICHIS TALKS TO GHOSTS
The performer's hit solo show, Can I Be Frank?, is part séance, part comedy routine, and unlike anything else in theater right now.
10 mins
May 18–31, 2026
New York magazine
It Is in Fact Possible to Get Off Your Phone
59 actually useful tips for using it (a little) less.
16 mins
May 18–31, 2026
New York magazine
SHE TELLS IT LIKE IT IS
Taraji P. Henson is having a ball in her Broadway debut, but the actor still has some bones to pick with Hollywood.
16 mins
May 18–31, 2026
New York magazine
They Rescued a Teardown and Raised the Roof
An artist couple renovated a neglected country house with enough space for an art collection and their own work.
3 mins
May 18–31, 2026
New York magazine
More Horrible Bosses
The Devil Wears Prada 2 nods to the media's bleak economic future—in a fun way.
3 mins
May 18–31, 2026
New York magazine
Brother, Can You Spare $200 Million?
Why the Metropolitan Opera needed a Saudi lifeline.
6 mins
May 18–31, 2026
New York magazine
The Rise of the FOOL
CLOWNING isn't just HONK-HONK. A report from the Eastside of Los Angeles, the center of the hottest COMEDIC ART.
26 mins
May 18–31, 2026
New York magazine
Turf Wars
For recreational soccer leagues, finding a field to play on has never been harder.
1 mins
May 18–31, 2026
New York magazine
What Her Mother Did
In The Hill, a child lives with the fallout of her family's radical past.
5 mins
May 18–31, 2026
Listen
Translate
Change font size

