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Rachel Cusk on Muriel Spark's "The House of the Famous Poet"
The New Yorker
|September 1- 8, 2025 (Double Issue)
I never felt the influence of Muriel Spark, despite that a substantial female figure in British literature.
-
April 2, 1966
It's a pity, because there was much to learn from her macabre, entirely unsentimental art and its account of the strange violence of living. It was only quite recently, when I came across a new volume of her collected letters (meticulously edited by Dan Gunn), that I first felt confronted by her persona. The letters invited an investigation into both the life and the work.
This story is from the September 1- 8, 2025 (Double Issue) edition of The New Yorker.
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