THE ART OF PLATESCAPE
Gourmet Traveller|May 2022
Still life has always been one of the art world's most enduring forms. Now a group of Australian artists are transforming the genre with their visions of food, wine and good times
HANNAH-ROSE YEE
THE ART OF PLATESCAPE

Gabrielle Penfold has a great job. For her most recent exhibition Oyster Oyster, staged at Noosa's CLO Studios in that bit of 2021 that wasn't a total disaster - February - she created a whole wall of paintings dedicated to everything that you can pull out of the ocean and turn into a meal. "I went into this deep dive of eating and sourcing all these different fish... Every fish I painted, I had a story behind," Penfold recalls; barramundi, mackerel, garfish. "I feel like I'm very lucky in my profession. I never feel guilty about having a good time because it's research!"

Vibrant still lifes by Gemma Leslie and Emma Gale.

Artwork by Gabrielle Penfold.

Food is a subject that Penfold "will never get tired of" artistically. "I love the romance and the beauty of cooking."

Penfold is just one of a buffet - a smorgasbord - of Australian artists reinvigorating the still life with new energy. The 28-year-old's visions of meals, usually involving some form of seafood, a handful of lemons and the promise of sunshine, adorn Sydney restaurants including Margaret and Dear Sainte Éloise. Penfold's first exhibition was titled Lunch and Dinner; her second was the aforementioned ode to that briny, bivalve mollusc. Food is a subject that Penfold "will never get tired of" artistically, she says. And personally? "Obviously, I'm a huge foodie," she notes. "I love the romance and the beauty of cooking." It makes perfect sense to channel that love onto the canvas.

Artist Gemma Leslie

This story is from the May 2022 edition of Gourmet Traveller.

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