Colourful Greys
Artists & Illustrators|February 2022
Whether you choose to use pre-mixed neutral colours or blend bolder hues together, HASHIM AKIB shows how to create interest in the duller parts of a painting
HASHIM AKIB
Colourful Greys

When you’re starting out on your painting journey, it is easy to become nervous of bright colours. Less confident artists often rely upon certain neutral colours in their palette as they easily transform stronger tube colours by desaturating, tinting or darkening them. These neutral pigments include Flesh Tint, Buff Titanium, Warm Grey, Payne’s Grey and Neutral Grey and they help to create an earthy, naturalistic look in a painting without bolder colour clashes. Burnt Umber is another popular choice for less experienced artists, who use it liberally in mixes with other colours to create darks and neutrals. These are quick fixes though. A better understanding of your options when it comes to neutral colours – and greys in particular – will improve your paintings no end.

The main issue is that these pre-mixed neutrals can generally suck the life out of colour mixes and lend a flat appearance to artworks. Most of the time this can be disguised with sharper drawing or an emphasis on tonal ranges, but I prefer to mix neutral, earthy and grey shades from pure colours. This way I have more control over the temperature by adjusting quantities of colour. That said, every so often I’ll include a new addition to my palette to freshen up my work. The latest was Neutral Grey from the Amsterdam range by Royal Talens – it’s light enough not to dominate mixes, yet potent enough to tame richer colour.

Neutral colours are necessary as they help to anchor saturated colour as well as create a calming presence, but a reliance on the pre-mixed neutrals can stifle your evolution as an artist as you’ll miss out on exploring and pushing your own boundaries of colour. Like most elements in art, it’s about having the discipline to use the component parts sparingly to create balance.

This story is from the February 2022 edition of Artists & Illustrators.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the February 2022 edition of Artists & Illustrators.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM ARTISTS & ILLUSTRATORSView All
Still life IN 3 HOURS
Artists & Illustrators

Still life IN 3 HOURS

Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn

time-read
5 mins  |
March 2022
Movement in composition
Artists & Illustrators

Movement in composition

Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement

time-read
6 mins  |
March 2022
Shane Berkery
Artists & Illustrators

Shane Berkery

The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio

time-read
7 mins  |
March 2022
The Working Artist
Artists & Illustrators

The Working Artist

Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work

time-read
2 mins  |
March 2022
Washes AND GLAZES
Artists & Illustrators

Washes AND GLAZES

Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING

time-read
7 mins  |
March 2022
Hands
Artists & Illustrators

Hands

LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands

time-read
7 mins  |
March 2022
Vincent van Gogh
Artists & Illustrators

Vincent van Gogh

To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display

time-read
6 mins  |
March 2022
BRING THE drama
Artists & Illustrators

BRING THE drama

Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene

time-read
7 mins  |
March 2022
Serena Rowe
Artists & Illustrators

Serena Rowe

The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall

time-read
8 mins  |
March 2022
Bill Jacklin
Artists & Illustrators

Bill Jacklin

Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration

time-read
8 mins  |
March 2022