Poging GOUD - Vrij
No Need To Be Dramatic, It's Time To Have A Laugh
The Hollywood Reporter
|Awards Playbook Special 2 - Nov. 2016
While the Academy rarely favors funny, the Globes’ comedy/musical category considers a lighter pool of contenders — from big kahuna La La Land to movies as varied as Deadpool and Florence Foster Jenkins

Are you a filmmaker with a comedy who’s looking for some awards love? Then be thankful that the Golden Globes exist.
Comedy always has been something of an unwelcome guest at the Oscars. With rare exceptions, it’s mostly overlooked. But it’s quite another story at the Globes, since the Hollywood Foreign Press Association, the group of 85 L.A.-based journalists for international publications whose votes determine Globe nominees and winners, separates dramas from musicals or comedies.
The Academy doesn’t do that, of course. Because it long has had a preference for “serious” films, most of the loudest Oscar buzz generally centers on movies that also show up in the Globes’ drama categories.
This year is no exception: The vast majority of heavy-hitting Oscar hopefuls also will be vying for noms in the Globes’ drama categories. Among them: A24’s Moonlight, Roadside Attractions/Amazon’s Manchester by the Sea, CBS Films’ Hell or High Water, Focus Features’ Loving, Fox’s Hidden Figures, Fox Searchlight pair The Birth of a Nation and Jackie, Lionsgate’s Hacksaw Ridge, Paramount twosome Arrival and Fences, Warner’s Sully and The Weinstein Co.’s Lion.
Dit verhaal komt uit de Awards Playbook Special 2 - Nov. 2016-editie van The Hollywood Reporter.
Abonneer u op Magzter GOLD voor toegang tot duizenden zorgvuldig samengestelde premiumverhalen en meer dan 9000 tijdschriften en kranten.
Bent u al abonnee? Aanmelden
MEER VERHALEN VAN The Hollywood Reporter

The Hollywood Reporter
Michael Ovitz, Me And The Truce That Never Was
As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.
12 mins
September 2-9, 2016 Double Issue

The Hollywood Reporter
Songs Of Innocence And Experience
How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’
3 mins
Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter
Execs Can Boycott The Press Tour — But Not The Pressing Questions
With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season
4 mins
December 16, 2016

The Hollywood Reporter
Making Of Kubo And The Two Strings
Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.
5 mins
Awards Playbook Dec. 2016

The Hollywood Reporter
A World Of Pioneering Talents
Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)
6 mins
Essential Awards Playbook, Dec. 2016

The Hollywood Reporter
Iain Canning & Emile Sherman
The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene
6 mins
December 9, 2016
The Hollywood Reporter
Producer Of The Year Charles Roven
He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.
10 mins
December 23, 2016 - January 06, 2017

The Hollywood Reporter
No Happy Endings Required
The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).
17 mins
December 23, 2016 - January 06, 2017
The Hollywood Reporter
Matt Tolmach
The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’
5 mins
May 31, 2017
The Hollywood Reporter
In Defense Of Good O1' Network TV
With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net
3 mins
May 31, 2017
Translate
Change font size