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No Need To Be Dramatic, It's Time To Have A Laugh

The Hollywood Reporter

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Awards Playbook Special 2 - Nov. 2016

While the Academy rarely favors funny, the Globes’ comedy/musical category considers a lighter pool of contenders — from big kahuna La La Land to movies as varied as Deadpool and Florence Foster Jenkins 

- Scott Feinberg

No Need To Be Dramatic, It's Time To Have A Laugh

Are you a filmmaker with a comedy who’s looking for some awards love? Then be thankful that the Golden Globes exist.

Comedy always has been something of an unwelcome guest at the Oscars. With rare exceptions, it’s mostly overlooked. But it’s quite another story at the Globes, since the Hollywood Foreign Press Association, the group of 85 L.A.-based journalists for international publications whose votes determine Globe nominees and winners, separates dramas from musicals or comedies.

The Academy doesn’t do that, of course. Because it long has had a preference for “serious” films, most of the loudest Oscar buzz generally centers on movies that also show up in the Globes’ drama categories.

This year is no exception: The vast majority of heavy-hitting Oscar hopefuls also will be vying for noms in the Globes’ drama categories. Among them: A24’s Moonlight, Roadside Attractions/Amazon’s Manchester by the Sea, CBS Films’ Hell or High Water, Focus Features’ Loving, Fox’s Hidden Figures, Fox Searchlight pair The Birth of a Nation and Jackie, Lionsgate’s Hacksaw Ridge, Paramount twosome Arrival and Fences, Warner’s Sully and The Weinstein Co.’s Lion.

The Hollywood Reporter からのその他のストーリー

The Hollywood Reporter

The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

The Hollywood Reporter

The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter

The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

The Hollywood Reporter

The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

The Hollywood Reporter

In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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